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      February 16, 2017Southern PerfectionWalter Bargen

      On the map there’s a name
      floating on blue.
      He travels
      to a small island, almost
      too small to find.
      The plane
      plummets through a sea
      of clouds. He has just left
      his wife
      though she says how can
      he leave what’s not arrived.
      He gives
      up arguing and arrives at
      his leaving. His first heat-
      warped step
      is into the glare of the white-
      washed decay of colonial
      mansions.
      Soon he discovers
      the ocean is an ever-opening
      vowel that
      becomes thick and hot
      the longer he lies in
      the sand.
      It reminds him of
      his wife, the sand radiating
      an end-
      less sigh of dismissal.
      Farther down the beach
      bathers
      take off their skins.
      The apartment he rents
      echoes
      the nightly neighborhood
      gunshots and a tireless steel-drum
      music.
      Though it’s a stray, the cat
      that already lives on
      the porch
      adopts him. Days later
      he finds it dead on
      the stoop.
      Each evening for
      a week there’s a tarantula
      nailed through
      its abdomen to
      the door. He buys a car,
      the side
      mirror held on
      with wire. The first night
      parked in
      an alley the head-
      and taillights are smashed.
      It is
      a perfection, the breaking
      of what’s broken.

      from Issue #16 - Winter 2001

      Walter Bargen

      “Robert Frost said, ‘We shall be known by the delicacy of where we stop short.’ Call it the art of pulling back, that’s what I’m trying to do with the endings to my poems; rather than the ‘big splash’ that drenches the reader, generate the delicate ripple that keeps nudging the reader along after they’ve dried out.”