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      November 18, 2008Stars and StripesCatherine Wiley

      I’ve called the cops on him,
      friendly guy next door who sneaks
      pork fat to my cat, cookies
      to my daughter. He tends
      with the vigilance of love
      a red van hunkered on the curb,
      paint flaked and pale U.S. flag
      sealing the rear window. He sings,
      then weeps when he’s had one
      too many beers.
      The night he swears to kill
      his wife—sobs and curses
      through the screen jangle me
      from sleep—police come fast,
      five white cars block the street,
      two men vault the broken gate
      to pound the door and wake
      with a flashlight in his eyes
      the old man whose house it is,
      whose son.
      Morning, I ask how she is
      through the fence where she rests
      an elbow; thumb caressing
      her bluing cheek. She says
      with disbelief that someone
      called the cops, she thinks she might
      know who, she’ll kick their ass.
      Later in full sun and heat
      a different neighbor stops.
      “I wish they’d get it over with,”
      she sighs, “and shoot each other so
      the rest of us could sleep.”

      from #26 - Winter 2006

      Catherine Wiley

      “‘Stars and Stripes’ is my response to September 11th. I found myself more and more dispirited by the excessive display of American flags, and decided to craft a more critical, and to me more realistic, version of the ‘red, white and blue.’”