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      May 31, 2017Still Life with BirdsWendy Mitman Clarke

      The Carolina parakeet would not be the first
      species to gather at its dead. They say elephants
      do this too, and dolphins, who will stay for days
      with a dead infant, pushing its body to the surface
      to breathe. Inside the museum no living birds
      attended the still life of their brethren rendered
      so bright and busy among the cockleburs—
      one scratching its cheek with a pointed talon,
      two others seeming to croon parakeet
      love songs to one another—although
      the sound of that song, we can’t know.
      There were, however, the six dead birds
      displayed beside Audubon’s painting, mute
      as dust, specimens the artist modeled
      to create his masterpiece. I could have cupped
      one in my hands, but the glass held
      them all captive—the colorful painted birds
      cavorting, their template kin lifeless
      as an old woman’s misplaced gloves—
      no air in either universe. Still life
      the exhibit noted, is generally an act
      of intimacy, so why shouldn’t I have stopped
      beneath the familiar tree outside the museum
      to reach among the homesick leaves
      and hold the smooth round comfort
      of the chestnut in my palm,
      where I would have gathered
      the dead birds if I could,
      where I would have held you.

      from #55 - Spring 2017

      Wendy Mitman Clarke

      “My whole career has been made of words. Lots of them, all prose. One day about a year and a half ago, I signed up for a poetry workshop, because I realized how tired I was of all those words. They couldn’t say what I needed to say. Poetry gives me that freedom. From start to finish (not that any poem is ever finished), writing a poem surprises me. It makes me happy.”