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      March 14, 2023Wendy BarkerStuff

      Who brought these pieces here? Somebody making the shift
      to assisted living? Someone’s sixty-something kids after
      Mom or Dad had finally “gone aloft,”
      as my English granny would have said? The tchotchkes
      cramming this antique shop I stroll through with my son:
      ivory-handled button hooks, cameo pins,
      tureens with porcelain peacock tails for handles. Before she died,
      my husband’s mother begged him to take the claw-footed,
      eight-foot-tall armoire he hated. At seventy,
      my mother labeled every object in her house, color-coded
      for each daughter. She wanted to know which one of us
      would wear her ruby ring, jade necklace,
      turquoise bracelet. Where will my granny’s silver trays,
      salt cellars, tea pots, go? What about my mother’s copy—
      tattered, water-stained—of Just So Stories,
      “O Best Beloved?” The 1924 collection of poems my father
      cradled when he read aloud at dinner—will those end up
      on my son’s shelves? At Half Price
      Books? A garage sale, eBay, landfill? A friend says we spend
      the first three-quarters of our lives accumulating, the final
      quarter, disposing. As a kid, I treasured
      my doll-sized china tea sets, which, packed with crumpled tissue
      in a taped box, fell off the back of our truck while leaving
      one house for another. Like my photo albums
      of the ’60s the movers never found. No pictures left of my black
      mascara eye-lashed, mini-skirted, leggy self, no images
      of my tennis-playing lover. I’ve read about
      the bower birds, who attract their mates with shiny
      pebbles and trinkets rescued from trash bins. Did one
      of my tiny tea cups end up in some
      bird’s bower? Sometimes I crave bare walls, windows open
      wide to sky, the oaks, mesquite, and sumac. But who
      am I without my journals of the past
      twenty years, my embroidered needle case, the filigree
      glass vase my husband gave me? Empty as if coming
      into this world? Or preparing to leave.

      from #58 - Winter 2017

      Wendy Barker

      “I can’t not write poetry. I’ve written essays, even scholarly work, but it’s poetry I always come back to. If I’m not working on a poem, I’m in trouble. Something about placing the words, the phrases, the lines, the images, the sounds on a page brings me alive. Alive in the moment. Writing poetry is also a way of examining conflicts or trouble in my own personal space and in the wider world. I’d like to think poems can make a difference. I guess I’m always in thrall to Rilke’s great line: ‘You must change your life.’ And I like to think of Auden’s lines in his poem ‘In Memory of W. B. Yeats’: ‘For poetry makes nothing happen: it survives / In the valley of its making where executives / would never want to tamper, flows on south / From ranches of isolation and the busy griefs, / Raw towns that we believe and die in; it survives, / A way of happening, a mouth.’ I guess I keep on going because of all those mouths that came before me and that surround me, continually feeding me. And I long to provide a little something for those who are also hungry, so that we can feed each other.”