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      November 17, 2013Matthew WimberlyTabula Rasa

      He still remembers how to move
      sandpaper with the wood grain,
      push back years of weariness
      and start again. I watch
      him strip away lacquer, deep maple
      colored jelly pushed off of edges
      and pooled on the floor. The smell
      of chemicals eating at paint and wood until
      the surface looks like chalk dust
      or the shoulder-blade of some extinct mammal
      in a museum. He brushes away sawdust
      from the tabletop like a paleontologist pushing
      dirt in the badlands, callused hands shaking
      as he excavates. His own bones ready
      for the earth. Hips replaced. Knees rebuilt. Man
      made heart. Arched over the table dipping
      his brush in a tin-can of stain propped
      on an anvil, he lets the polyurethane give itself
      to the wood and looks over to me.
      Who are you? I give my best fake smile until he
      sighs and goes back to work, taking
      a kerchief out of his breast pocket to dab
      away sweat on his forehead. Nana tells me
      it hurts to forget. Eighty-six years don’t
      disappear all at once. When the work’s done
      he stirs the paint stick in the wood stain
      and lets the lid rest over the top. Brushes
      washed and put away, so only the table remains.

      from #39 - Spring 2013

      Matthew Wimberly

      “I wrote my first poem after reading ‘A Tree Grows in Brooklyn’ in the seventh grade. That poem changed the rest of my life. Growing up on top of a mountain meant I’d often have to entertain myself alone. I loved running down trails and skipping stones in the creek behind my house, and it became natural to entertain myself by writing poetry. To this day I love to play with words, to see how a poem can provide a new lens for looking at the world. If anything, I want other people to find something as alive in poetry as out in the wild.”