January 14, 2025

Denise Duhamel

POEM IN WHICH I PRESS FAST FORWARD

my young mother becomes my dead mother
my new car becomes a clunker
 
my blond hair becomes gray,
my favorite sweater, a rag
 
my beloved becomes my enemy
my enemy, someone I can’t remember
 
my past becomes a murky place except for a few sharp excerpts
my memory, a torn plastic bag, groceries spilling onto the pavement
 
my love of apples becomes a metaphor
my love of apples becomes my love of applesauce
 
my flat chest becomes a set of breasts that later flop
my bright pink scar becomes a faded white line
 
my childhood friend becomes a stranger, then a corpse
my childhood home becomes someone else’s home
 
my baby fat becomes adult fat
my new sneakers, worn and ready for Goodwill
 
my obsessions become ash
my fire, a cold sandwich
 
my scribbles becomes more scribbles
my wedding dress, a punchline
 
my glass of wine becomes my rewind
my beer stein, a pencil cup
 
my garbage becomes landfill
your trees, my kitchen table
 
my biggest problems dissolve
then bubble up years later like Alka-Seltzer
 
my belly laugh becomes a bellyache
my aversion to conflict becomes a migraine
 
my frown becomes a ray of frown lines
my dance moves becomes a skeleton rolled into an anatomy classroom
 
my childhood love of the sea becomes my adult political quest
my pet peeves soften into petty concerns then become peace lilies
 
my fall from grace becomes my saving
my savings become my coffin’s down payment
 

from In Which
2024 Rattle Chapbook Prize Winner

__________

Denise Duhamel: “I started writing the poems from In Which after reading Emily Carr’s brilliant essay ‘Another World Is Not Only Possible, She Is on Her Way on a Quiet Day I Can Hear Her Breathing.’ (American Poetry Review, Volume 51, No. 3, May/June 2022) Carr borrows her title from Arundhati Roy, political activist and novelist. In her delightfully unconventional essay, Carr talks about rekindling intuition in poems, offering ‘a welcome antidote to whatever personal hell you, too, are in.’ Carr’s invitation to be unapologetic, even impolite, gave me new ways of entering my narratives. Soon I was imagining I was someone else completely. Or sometimes I looked back at my earlier self, at someone I no longer recognized.”

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December 17, 2024

Denise Duhamel

POEM IN WHICH I PURSUED MY DREAM OF DOING STAND-UP

When articles I read in 1980 demanded
a woman comic make fun of her appearance,
I went for it. I embraced my fat because John Waters
thought fat was hilarious. In fact, I ate so much
I doubled my size and wore small, unflattering
T-shirts to highlight my stomach rolls. I wasn’t afraid
to be raunchy or gross. I even farted
on stage, becoming a caricature of everything ugly
I dreaded inside me. I teased my frizzy hair to make it
even frizzier. I took my cues from Joan Rivers
and Phyllis Diller—On my honeymoon I put on
a peekaboo blouse. My husband peeked and booed.
I tried to repel men as much as possible
with my awesome, non-conforming physicality.
I didn’t care if I embarrassed my family.
I didn’t care anymore about diets or dates.
I ate whole cakes and didn’t even think
about throwing them up. I went to late night
open mics, wisecracking through the jeers and booing
until audiences got used to me. I took their abuse,
gave it right back. I wore down the drunks and soon
they were laughing, even snorting sometimes.
Though still controversial, I was on the cover
of Paper and Ms. while The Golden Girls
made its TV debut. By the time Roseanne Barr
came around, I’d already taken all up the space
in that roly-poly lane. I let her open for me anyway.
At the end of each of my Comedy Central specials,
I would invite her back into the spotlight
and we’d bump our humongous bellies.
Roseanne grew bored. She was a deep thinker,
growing more profound with each gig.
When Jane Austen came back in vogue
with the movies Clueless and Sense and Sensibility,
I started my own production company
and hired so many women—even skinny
pretty comics, ones I never imagined
could break through. My wide ass opened wide
doors for everyone. Finally I had boyfriends,
handsome and loyal and attracted to my big fat
bank account. But by the time Beyoncé reunited
with Destiny’s Child for the Super Bowl halftime,
my overeating and slovenly ways caught up
with me. When I had bypass surgery and lost
two hundred pounds, I knew my career in comedy
was over. Fans called me a traitor and my latest
boyfriend lost interest too—no more drunken parties
and freezers stocked with Haagen-Dazs
and Tombstone pizzas. I had to pivot so I straightened
my hair and changed my name to give myself
a second act. Roseanne had just won the Pulitzer
for her verse. I put my efforts into becoming a minor poet.
 

from In Which
2024 Rattle Chapbook Prize Winner

__________

Denise Duhamel: “I started writing the poems from In Which after reading Emily Carr’s brilliant essay ‘Another World Is Not Only Possible, She Is on Her Way on a Quiet Day I Can Hear Her Breathing.’ (American Poetry Review, Volume 51, No. 3, May/June 2022) Carr borrows her title from Arundhati Roy, political activist and novelist. In her delightfully unconventional essay, Carr talks about rekindling intuition in poems, offering ‘a welcome antidote to whatever personal hell you, too, are in.’ Carr’s invitation to be unapologetic, even impolite, gave me new ways of entering my narratives. Soon I was imagining I was someone else completely. Or sometimes I looked back at my earlier self, at someone I no longer recognized.”

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March 29, 2024

Denise Duhamel & Julie Marie Wade

GIVE-AND-TAKE GHAZAL

I would like to give more than I take 
in this world of takers. I forgive  
 
others for being snippy or falling short, 
then blame myself when I mistake  
 
tolerance for interest. It’s hard to be humored  
and still be gracious. My smile gives 
 
away my misgivings, yet frowning feels  
like I’m auditioning. Here are the outtakes  
 
of my outreach: forced laughter and awkward  
nods of the head. Give me a break, give  
 
me a hug—but don’t: it’s the era of social distance 
and curbside pick-up and take-out. Take 
  
your time, but don’t leave me waiting too long.
Come on, democracy. Give me liberty, or give 
 
me a free lunch with sushi rolls, sashimi,
and seaweed salad. Take my advice—take 
 
a breather (when was your last deep breath?),
then exhale as slow as you can. Give in, give 
 
out or away but not up. Never up. Enduring is
giving it your all, taking your time to take.
 

from Rattle #83, Spring 2024
Tribute to Collaboration

__________

Denise Duhamel & Julie Marie Wade: “We have been collaborating on poetry and prose for several years. For this ghazal, we picked an end-word ahead of time (as well as a subject, though sometimes the subjects are open-ended) and then we began, alternating couplets and sending those lines by email to one another.”

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March 27, 2024

Denise Duhamel & Maureen Seaton

SHORTHAND 6-PAK RONDELET

TL;DR
 
Too long; didn’t read
Didn’t want to miss Stranger Things
Too long; didn’t read
Watched Batman on YouTube instead
Of reading about men with wings
Or women having flings with kings
Too long; didn’t read
 
 
 
STFU
 
Shut the fuck up
Can’t you see I’m taking a nap?
Shut the fuck up
I’m dreaming of a hot hookup 
I made through my X-rated app 
I’m awake now in her jockstrap
Shut the fuck up
 
 
 
FWIW
 
For what it’s worth
I can’t make up an alibi
For what it’s worth
There’s nothing on this big old earth
Makes me weep worse and wonder why
I microwaved a butterfly
(For what it’s worth)
 
 
 
IMHO  
 
In my humble opinion
Joaquin Phoenix is a dreamboat
In my humble opinion
he became vegan—vermilion  
blood from a hook, a fish’s throat
that day dad took him on a boat 
That’s my humble opinion
 
 
 
TBH
 
To be honest
I prefer my GRNS FRSH, my STK
(To be honest)
BBQ or BRSD or BNLESS
Nothing tastes BTR than a GR8
Big SAL with a SD of BF
To be honest
 
 
 
WDYT
 
What do you think?
Is the planet going to shit?
What do you think?
I say we’re standing on the brink—
but is our disaster moonlit
so sweetly we keep missing it?
What do you think?
 

from Rattle #83, Spring 2024
Tribute to Collaboration

__________

Denise Duhamel: “We had several memorial readings for Maureen, and my joke is that we had an open relationship and we weren’t monogamous. If you were there and ready to write, and you were a sweet soul, Maureen would write with you. She loved collaboration so much, and often collaborated with her students. Neil de la Flor and Kristine Snodgrass and Maureen were one set of collaborators (a triad), and then she had a foursome collaboration group with Carolina Hospital, Nicole Hospital-Medina, and Holly Iglesias. She also collaborated extensively with Sam Ace. Both Aaron Smith and I completed whole collaborative manuscripts with her while she was ill. She had all these different collaborations going on even through her illness and treatment.”

Maureen Seaton (October 20, 1947 – August 26, 2023) authored fifteen solo books of poetry, co-authored an additional thirteen, and wrote one memoir, Sex Talks to Girls, which won the 2009 Lambda Literary Award for Lesbian Memoir/Biography. She frequently collaborated with many poets, including Denise Duhamel, Samuel Ace, Neil de la Flor, David Trinidad, Kristine Snodgrass, cin salach, Niki Nolin, and Mia Leonin.

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March 19, 2024

Denise Duhamel

POEM IN WHICH BARBIE QUALIFIES FOR MEDICARE

March 9, 2024

Barbie never thought too much about her eligibility.
She’d loved AARP—the discounts at Sunglass Hut
and Outback Steakhouse—when she waved
her bright red card. She’d been born to shop,
but the medical world was still a mystery to her.
Sure, one of her first careers was as a Registered Nurse,
and a decade later, she became an MD. But she had
little experience being a patient except when children
made her a papier mâché arm cast or shaved off her hair
in play-chemo. Without vertebrae or femur,
Barbie never took a bone density test or had to worry
about osteoporosis. Menopause had been a breeze—
no hot flashes, no bleeding to miss. She was spotless
when it came to age spots, even after all those years
in the sun. No pee when she sneezed. No cataracts
despite the fact that she never blinked. She still drove
at night but was considering trading in her convertible
for a cushy Lincoln town car to arrive in Medicare-style
for her annual checkups. She was looking forward to a ride
in an MRI then consulting a podiatrist to see if anyone could
at last help ease her feet into New Balance sneakers.
The dermatologist told her Botox was covered if Barbie
suffered from migraines. Her smile had never given way
to laugh lines or crow’s feet. Still, Barbie lifted her hands
to her temples and told a white lie—why yes,
those headaches have sometimes been so fierce I’ve had to retreat
into my dark box to rest. After all, Barbie
was an American boomer and wanted her fair share,
what she thought she deserved, what was coming to her.
 

from Poets Respond

__________

Denise Duhamel: “I didn’t think I had another Barbie poem in me! (I thought I’d put her to rest in 1997 after the publication of my book Kinky.) But I couldn’t resist the idea of Barbie being eligible for Medicare.” (web)

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July 3, 2023

Denise Duhamel

ANOTHER SUMMER OF LOVE

2021

My mother stopped wearing a bra
in the nursing home
because the straps hurt 
her shoulders. I called her a hippie 
and put a flower in her hair.
 

from Rattle #80, Summer 2023

__________

Denise Duhamel: “As a child I memorized Robert Louis Stevenson’s ‘The Land of Counterpane.’ I remember looking up ‘counterpane’ in the dictionary and was delighted to learn that it meant ‘bedspread.’ I suffered from asthma and could relate to Stevenson’s speaker, a bedridden kid. The poem in this issue also has a bedridden character—my mother, who passed away in July 2021.” (web)

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November 6, 2020

Denise Duhamel

MONKEY MIND

I know the worth of each state’s electoral votes by heart. My neck pain
has stopped but has traveled to my elbow and wrist. “Three consecutive
deep breaths” written on post-its, one beside the coffee pot and another
on my bathroom mirror. How many times this fall have I been told
“remember to breathe”? Yoga instructor, therapy group, strength-training
teacher, all on Zoom. When I was a kid I watched “Zoom” (Who are you?
What do you do? … Come on and Zoom Zoom went the theme song.) The kids
featured on Boston’s WGBH were local celebrities and my monkey mind
wonders what happened to them as I jump from tree to tree. I recently started
the Netflix series Ratched, the origin story of Nurse Mildred Ratched
(before One Flew Over the Cuckoo’s Nest). On her job interview, the titular character
says she’s not worried about patients throwing their own feces,
that nothing throws her, which reminds me of monkeys who also throw
their own feces when they are defensive, angry, or bored. I only made it through
the first episode of Ratched. I wanted to like it because I like Sarah Paulson
and am glad she is getting work, but I found the show trying too hard, too stylized,
like Mad Men but without as strong a narrative. Then I tried The Queen’s
Gambit but I know almost nothing about chess which the boys I grew up with
called “chest” to see if we girls would blush. And even now, whenever I read
or write or say “titular” I feel self-conscious because the word contains “tit.”
I remember at a writers’ conference many years ago, a famous poet wanted us all
to go to a “titty bar” (her words). And I said something like,
“I just checked in with my feminist principles and the answer is no.”
But now strippers are seen as empowered by some in the third wave and I guess
I’d need a more nuanced answer if she ever asked again. Not that “titty bars”
are even open in this time of COVID-19. That famous poet couldn’t have been
third wave all those years ago, could she? She’s a few years older than I am.
Maybe she was more revolutionary, better read. I can’t believe two grandpas
are running for the president, the election less than 48 hours away.
You know who I voted for (early) since no poet could be a Trump supporter,
could she? Remember in 2016 when there was a fake story that Trump
was going to invite an American poet of Scottish ancestry (who also played
the bag pipes) to his inauguration? I fell for it for a few minutes, but I don’t fall
for much anymore. I believe Trump’s imaginary inaugural poet was known
for his limericks. When I was a kid I loved Lime Rickeys and Del’s Lemonade,
a slushy concoction that lost fans because occasionally they’d slurp a seed
or piece of rind up through the straw. That only made me love Del’s more—
its authenticity, its real lemons. I bought a lemon but it was red, a Kia
which my then-husband said was inferior to our dying Honda Civic
which he was used to. But the Kia is so much cheaper, I argued, and won.
Then for two years we kept returning to the dealer because the interior smelled
like gas and the workers would reattach some hose that kept coming loose.
One time, when we were traveling, we almost passed out from the fumes.
We stopped at a garage and a mechanic said, This car could catch fire at any minute,
so we looked up the lemon laws but had stuck it out with the Kia too long.
We traded the car in and got the Civic my husband wanted in the first place
and I’m not sure if I said I’m sorry or you were right because by then
we were always fighting and I may have been stubborn like the time
we were in a crowded hotel, waiting to check in, and he insisted we were
in the wrong line. He walked away and sat defiantly on a lobby couch.
I had to move our two giant suitcases by myself each time the line crept forward.
It turned out I was right, but shortly thereafter, a therapist asked
Do you want to be right or do you want to be happy? Now I am in group therapy
and the facilitator finally last week let us talk about politics as she said
it was the elephant in the room. We all hated the big fat elephant in office
and wanted him out. What if he wipes out Social Security in three years?
What about the climate? Two of us in the Zoom group had been already hit
by hurricanes this fall. After each rain, Julie’s Florida street is flooded
to such an extent that ducks congregate and think it’s a lake. Only an October snow
stopped the fires from spreading to Maureen’s house in Colorado.
And what about the overrun hospitals? It’s too late to contract trace now,
says The New York Times—the virus is everywhere. And what about my mother
in the nursing home? No visitors, no activities, twenty-two of her neighbors
dead from the virus. She survived the spring, but will she survive the fall?
When will I be able to see her again? My mother has type O blood,
I keep telling myself, and though the low rates of infection are anecdotal,
I’ll take it. I’ve forgotten my own blood type—I think it’s A or B,
as I’m quite sure I was never a universal donor. And I never had to worry
about an Rh factor since I didn’t have kids. I remember pricking my own finger
in junior high and then testing for my blood type along with all the other students,
though I don’t remember the outcome. I bet now kids can’t perform this test
because of COVID-19, because of AIDS. For so many years my friends
and I were afraid to get HIV just the way we are afraid of COVID now.
Condoms then. Now masks. No dinner parties now, no parties at all.
I teach my Zoom classes and miss driving to and from school in my reliable Honda
though it’s not the Honda I mentioned earlier. That one finally died,
shortly after my marriage did. I thought my then-husband stole it
though I soon learned that you can’t steal communal property.
He simply drove it to the Miami airport and parked it in the closest,
most expensive lot, then hopped a plane to Madrid. It took me a week
before he’d let me know where he was, where he’d parked, then another
month before he was ready to come home. By then it was too late.
Some situations can’t be saved. I hope democracy can, even our half-assed version.
I hope the seas can be saved. Scientists just found a reef as tall as the Empire State
Building. I remember how my mom had a panic attack when she took us there.
Before we could look through the view finders we had to cut the line
to get back to the elevator and down to the street. I was five that trip
to New York and, though it wasn’t the worst part of my childhood, I wonder
what it did to me, to see my mom come undone in front of strangers.
I love heights and rarely get dizzy, even on the scariest amusement park rides
or parasailing. As I welcome the rush, I wonder if I am compensating for something.
I wonder if I am getting compensated fairly. When I was hired, I should have asked
for more money, but I accepted the offer immediately. The chair
of the English Department seemed shocked and then said, “Okay. I’ll send over
the paperwork.” I didn’t think I was entitled. Not like our entitled president.
Though he won the election without the popular vote, he acted like Mr. Popularity—
cutting regulations, nominating nutjob judges and justices, lining his own pockets
like the world owed him. I would have been a tentative president, my feelings
of illegitimacy on display. I would have worked with the other side, trying
to get my enemies to like me. Even now I leap from branch to branch
by my monkey tail, quite certain I’ll never be able to calm my monkey mind
until all the votes are in. I surrender my brain, my body, my own white flag.

from Poets Respond
November 6, 2020

__________

Denise Duhamel: “Forty-eight hours after the presidential election, I am still filled with anxiety, hope, and dread. ‘Monkey Mind’ tries to capture a slice of where my mind travels to these days.” (web)

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