Dementia runs in the family, so if I can’t think of a name or a place, a moment everyone else can vividly recall, I feel afraid. Useless. Ashamed. You see, I don’t want anyone to carry me into another room so I can get a view of a tree or remind me what a tree is or tell me what I’m sipping from is called a straw. I’ve seen it all before. My grandfather didn’t know he was eating a banana—only that someone had to peel it for him, and that thing, that peel had to be thrown away. I’m not saying it’s certain I will have dementia, but if I do, please know this: I won’t be mad if you don’t take care of me. I won’t even know that you’re not. Tell me everything’s okay, and I will believe you. Tell me there’s a bird on a branch outside my window, even if there is no window, and I will imagine he’s singing to me. Once when a storm was coming my mother looked up at the sky, told me God was punching the clouds to make rain pour out. She never even believed in God. The point is this: I may not know exactly who you are when you come to visit. I may be confused. But when I hold your hand it will all come back in waves: rocking you in my arms when you were a baby, your little seltzer voice, my heart flooding my body with joy every morning you jumped in my bed. I will not be angry like some people with dementia can get. I’ve never been good at angry. I will not peel the yellow paper off the wall or bite my caregiver. Play a few rounds of blackjack with me. You deal. I will smile each time I get a picture card. Tell me I’ve hit twenty-one even if I bust. Use real chips, have party drinks with ice that clinks, a cocktail napkin with which to dab my lips.
Kim Dower: “It’s been said that poems are either about love or death. This is about both. (Oh, and it’s also never too early to let your kids know that sooner or later you’ll fall apart, and they’ll be stuck taking care of you!)” (web)
Kim Dower: “I write poetry in part—as many have said—to help me create order out of chaos. W.H. Auden’s line, ‘Poetry is the clear expression of mixed feelings,’ always rings true for me. ‘The Delivery Man’ helped me sort out a lot of mixed feelings after events in the news brought back a creepy memory from childhood. Writing it also showed me that upsetting experiences are not necessarily traumatizing.” (web)
Kim Dower: “I grew up on the upper west side of Manhattan—89th off Broadway—in ‘The Party Cake Building,’ apartment 6D, when NYC was still a place for middle class families, not just a city for the rich. I was the handball champion of the street, Benny’s hotdog stand and the New Yorker Bookstore on one side, Murray the Sturgeon King around the corner, rode my bike through Riverside Drive when I was ten (no helmets back then), went to the first ‘Be-In’ in Central Park. Though I’ve lived in Los Angeles for decades, my memories of New York sounds, smells, tastes, people, adventures continue to influence my poems. When I was a little girl I thought that only ‘TV families’ lived in houses. I never knew anyone with a yard, a ‘den,’ or a basement.” (website)
Kim Dower: “The ideas and lines I’ve had for poems while eavesdropping and people watching in the famous Loehmann’s communal dressing room could fill countless notebooks, but ‘Boob Job’ took me by surprise. I awakened in the middle of the night with images from my afternoon spent zipping and unzipping the back of a stranger’s dress and the poem poured out. Nothing beats a twisted shopping experience for inspiration!” (web)
“How Was Your Weekend,” by Kim DowerPosted by Rattle
Kim Dower
“HOW WAS YOUR WEEKEND,”
the lab technician asks me
as she sticks the needle in my vein,
routine physical, blood rushing
up the tube as if being chased
out of my body. Fine, I tell her
all good, really good, did some things,
saw some people, ate out, got rid of shoes
I haven’t worn in years, craved ice cream,
but had no one to go with, so I went by myself,
embarrassed ordering a mint chip cone
alone in the middle of a Saturday, got over it
when I took a bite, euphoric, no longer caring
that my son was too old to take for ice cream.
Wrote a letter to my dead mother but couldn’t
read it at her grave because we cremated her
so I read it sitting at the kitchen table,
a photo of her propped up in front of me.
“Sounds amazing,” she says, my blood still flowing
up the tube, new one now as I’d filled up the first.
Where will they send my blood, and how
do they test for all the things they test for,
and what if they discover I have one
of a million diseases one could have, something
to confine me to bed for as many days, weekends
as I have left on this earth, or what if they find
nothing? Will I start to take pictures of my food
like a friend of mine does? He takes pictures
of what he’s about to eat so he’ll remember
what he put in his body, so if something goes
wrong he’ll know it was the yellowtail swimming
in lime sauce or the ginger sorbet with one proud
blackberry perched on top. He keeps files of photos
so he’ll never forget what he tasted, what filled him.
I want to taste the blood being drawn from my arm,
wonder if it would taste the same as my mother’s.
“What did you do this weekend,” she asks
forgetting she already asked. I had an ice cream cone,
I tell her, took a picture of it before it started to melt,
licked a drop of blood still warm from a new cut,
read a letter to my mother at her grave.
_________
Kim Dower: “I always feel sub-par when answering the inevitable question, ‘How was your weekend?’ Somehow, cleaning out a closet or finally watching the last season of The Wire seems like a letdown. I wish I could say, ‘I had lunch in Paris on Saturday and made it home in time for a hot air balloon ride over the ocean on Sunday. I’m tired, but invigorated. Thanks for asking!’” (web)
Kim Dower was the guest on this week’s episode of the Rattlecast. Click to watch!
Kim Dower: “It’s important to note that my poem, ‘Why People Really Have Dogs,’ lists only one of the reasons why people really have dogs. There are many other reasons. To find out what they are, watch your dog while she sleeps and you will know.” (web)
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