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      March 9, 2020Taming the SlothJames Ragan

      I don’t know how long I can play with a sloth,
      how long I can wait to time his glide
      along a space no wider than his bulbous face,
      as if the air had softened long enough to slow
      each arm’s motion to an easy slide,
      as if by committing each inch of leg
      to a longer stroll, he’d be cool and jived,
      just as we’d rehearsed for hours,
      the slinky hitching up of knees
      to gather up his fur like bunched underwear.
      He’s stalling now for the little push
      my hand decides to get a rhythm going,
      to quicken the pace, to push ahead
      just enough to score the next ride.
      How long can I stand the indifference
      of his cold stare burrowed into mine,
      as if he’s judging a dance
      where no one commits to lead or count in step.
      I don’t know how long he can lie
      in one place, cheering his lack of progress.
      Now, he’s rolling round to his spine,
      seeing the world from the bottom up,
      believing this is knowledge of a kind,
      having spent his clowning days
      hanging downward by his toes,
      trolling the uncertainties of ground,
      as if by giving up a life of swinging free
      across the long thin avenue of sky,
      he could teach me need, the patience
      to dream, how to slouch into the future
      with the soft tongue-peddling of my breath
      and a little push from behind.

      from #66 - Winter 2019

      James Ragan

      “I write to break down borders. My sensibility has always been global, to find expression through my poetry, plays, and films to bring individuals and worlds, seemingly apart, closer in understanding.”