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      April 20, 2015Taxonomy of an Automobile AccidentSamantha Deal

      I don’t remember being baptized, but I know it happened. It makes perfect
      sense—all the water and the saving. Most everything you see isn’t
      what you think it is. I was in the 7th grade when a science teacher explained:
      Glass isn’t a solid—its pieces are too far apart. This is why old windows sink
      into their frames, why water can swallow you, can rearrange its parts
      and fit you inside. All these things we learn—I don’t know what to do
      with them. If this window is really just a slow-moving liquid, then why
      won’t it let me in? I’m pressing but all I feel is my palm and the cold
      surface. It’s 42 degrees at 12:04 a.m.—A hypertrophic scar will heal
       
      with an excess of tissue. An atrophic scar will form a sunken recess
      in the skin. This is what happens when the supporting structures
      are lost. Think of drowning, walking pneumonia. If you knew
      every language, would you have a sound for it? If a scar
      is the epilogue, what is the wound? What is a 7-letter word for
      “to name?”—I’m afraid that everything I don’t know how
      to say will gather and gape like this. An injury does not become a scar
      until the wound has healed—If I could, I’d call it a deepening, a parking deck
      full of wind. I’d call it unfixable, I’d call it hollow. Think of a field
      full of snow, think of the static glow on the downstairs television. Every light
      is a house, is a holder, is a person. How many hands am I not holding
      right now? I’ve touched a thousand windows and they all feel
      the same. In kindergarten they teach you not to write letters
      from the bottom up—You’re supposed to start at the top and drag
      the ink down. My older sister says there are two ways to draw a face:
      Either you start with the eyes and the mouth, or you start with an outline,
      a jaw and some hair. In one version, there is a white space waiting
      to be finished. There are things that don’t grow back—To mend
      the damage, a scar wall blocks off cell communication. This is where I don’t
      sweat, don’t grow hair, don’t notice your palm pressed. Skin scars occur
      when the dermis (that deep, thick layer of skin) is damaged. This is the missing
      nerve. Think of a broken faucet, a loose doorknob, a picture frame
      without a picture. I’m convinced everything has a place inside of it—
      a space meant to hold something else. Think of an old stable,
      one where the wood’s been drenched in horse flank and feed. My older sister
      was one of those blue-eyed sullen girls, the pastel sort who seem to belong
      with horses. She got paid to sweep the stalls, and came home after dinner
      full of the smell. Once, she told me she’d had this dream where she was riding
      in the car with me and Tucker: It was after the accident but we were all in the Scout.
      I saw a cloud of dust and then the tree. If I’m quiet enough, I can almost hear it.
      I’ve seen the pictures. I know what happened—A skin scar will leave a trace
      of the original injury—but it didn’t feel sudden. People talk a lot
      but not about some things. It felt like an airport terminal, like waiting
      for your name to be called in class. If I could show you, it would be an interstate
      at midnight—power line after power line, field after field. Tobacco, cotton, grass.
      There was so much grass. I knew where I was before I opened my eyes.

      from #46 - winter 2014

      Samantha Deal

      “I first read Marie Howe’s What the Living Do for a creative writing class in undergrad. Afterwards, I felt like I had been punched in the face. I still feel that way when I return to the book now, eight years later. I guess I’ve always thought of poetry as an endless attempt to say exactly what we mean to say, which doesn’t happen very often. But, when someone does manage to bridge that gap, I want to feel the sting. It is a good pain.”