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      June 24, 2017TechnicolorRoey Leonardi

      My grandmother tells me
      stories of 1960, Miami, Florida,
      when at twelve years old,
      she and nine other Catholic school
      girls piled up next to her baby brother
      in her mother’s dark green Chevrolet.
      The backs of their thighs stuck
      to pleated skirts, long legs tangled,
      argyle socks and brown penny loafers.
      The heat formed mirages on
      the pavement, wind rushed
      in through the windows, and strands
      of honey hair stuck to petal lips.
      They stood in the 163rd Street
      open air shopping mall, where
      on a small platform, John F. Kennedy
      spoke of “a time for greatness.” White
      cuffs extending from dark suit sleeves, he
      reached a suntanned hand out to the crowd,
      laugh lines deepening at the corners
      of his eyes, straight white teeth.
      She says the thing she remembers most
      is being surprised by how much red
      was in his hair, so different from
      the grainy black and white pictures
      that flashed on her television screen.
      I wonder now what it’s like to watch
      the world through a gauzy veil
      of monochrome, pulling at the threads
      until a tear forms large enough to see
      color, a feeling that will never come
      to me, a feeling that faded away with
      ’63 and a General Electric color
      television, when my grandmother
      realized there was no mystery in gold
      buttons gleaming down the front of a pink suit,
      all the sorrows shaded once in grayscale
      now bleeding out onto the shaking fingers
      of a widow’s hands, as she realized that we will
      never again look in wonder upon auburn hair.

      from 2017 RYPA

      Roey Leonardi (age 14)

      Why do you like to write poetry?

      “The first poem I ever wrote was about a unicorn, and my mother wrote the last two lines, which were undoubtedly the best two lines in the poem. That was in first grade. Now, whenever an idea comes to me out of the blue, it’s almost always in the form of poetry. I’ve found the ending is still the biggest challenge, but I try to push myself toward something that is unexpected and can hopefully give the rest of the poem a fresh and more complex meaning.”