Shopping Cart
    items

      October 24, 2023The American Political SestinaAlexandra Umlas

      … the American political poem is a safe poem.
      —from “Political Poetry” by Kwame Dawes

      A daughter asks her mother if humanitarian is the
      same thing as volunteer. They are an American
      family—a wine-salesman, a teacher, far from political.
      They eat boxes of cereal, pet their cats. Sometimes a poem
      will begin to form in the mother’s head, and life is
      slow enough that there is time to write it, safe
       
      from forgetfulness, on the page, which is also safe,
      because even when it gets there, it can stay put. The
      cat purrs in the corner. Sometimes dinner is
      cooking on the stove. The National Public American
      radio station is playing news or sometimes a poem
      will weave its way onto the station. Sometimes it’s political,
       
      but mostly it’s a poem about nothing political,
      about hats, or who wears them, or about other safe
      activities, like eating a peach. Or sometimes the poem
      is slightly political, but the message is quiet, the
      lines full of assonance and other beautiful American
      things like sitting in a park one evening because it is
       
      a Tuesday, and you can. Sometimes the poem is
      filled with a quote about something, maybe political,
      but the author of the poem is an American
      and likes to write sestinas, and we know how safe
      sestinas are—all those words repeating so that the
      message just keeps recycling. The words in the poem
       
      are the, American, political, is, safe, and poem,
      because the careful author of the poem is
      trying (of course) to write more than just words, the
      important stuff evades her, in part because the political
      is not the cereal box or the purr of the cat or anything safe,
      and she is driving with her daughter on American
       
      roads, and there will always be the problem of American
      writers wanting to make a difference with a poem,
      and the woman’s daughter is just coming home safe
      from school and she asks something—she is
      listening to the radio, listening to the news, the political
      comes into the car. Why am I the one eating the
       
      snack, safe because of where I was born, (on American
      soil) but the girl on the radio is running from bombs? No poem
      can explain this. Fair is the opposite of political.

      from Poets Respond

      Alexandra Umlas

      “On Monday I took my daughter to get a treat after school. On the way home, we were listening to NPR’s replay of the morning news that described people leaving their homes in Gaza. She asked me how it is possible that she can be eating a snack while a girl in another place is leaving home because of bombing. That night, I read Kwame Dawes’ article, ‘Political Poetry,’ on the Poetry Foundation website. This is the poem that I wrote.”