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      March 11, 2020James RaganThe Bitters at Henley

      They say the Angel Pub on the Bridge at Henley
      is a sinner’s site, whose centuried panes
      of ancient views will bathe the heathen eye
      in the healing waters of the Thames.
      Above the sloping footboards, where the bar-
      stool preachers sing their devilish plav
      in Brixton drawl and Yorkshire brogue,
      I drink religion, up-country, out of a Guinness pint.
      The whisky laugh I save for the river stroll
      squeals the long line of gulls away
      like skiffs tied one to another along the wharf.
      Down river, dark clouds punctuate
      the sky’s language, and swallows circle
      like spaced indentations in the postcard
      shot I take of St. Mary’s steeple.
      I believe I will never pass this way again
      and pray beyond the promise made, that I will.
      There’s a pedigree of fame in this city
      that shakes me to the bitter’s core
      of knowing what I can never be or will become.
      Artists must have known this on their pass
      down the cobbled path to the bridge and pub.
      I stand at the stone buttress, transfixed
      like a character in It’s a Wonderful Life
      to the yacht’s bell announcing my departure.
      There’s nothing more satisfying
      than the knowledge in the sinner’s pint
      I’ve put my mind to look forward to.

      from #66 - Winter 2019

      James Ragan

      “I write to break down borders. My sensibility has always been global, to find expression through my poetry, plays, and films to bring individuals and worlds, seemingly apart, closer in understanding.”