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      April 3, 2019The BladesKatie Bickham

      In the new world, as the goddess dictated,
      each time a man touched a woman against
      her will, each time he exposed himself,
      each time he whistled, dropped something
      in her drink, photographed her in secret
       
      she sprouted a wing from her spine. Not feathered,
      like birds or angels, not cellular, translucent,
      veined like dragonflies, but a wing
      like a blade, like a sword hammered flat,
      thin as paper. One wing per wrong.
       
      At first, the women lamented. All their dresses
      needed altering, their blankets shredded,
      their own hair sliced off like a whisper
      if it grew down their backs. And those
      misused by fathers, bosses, drunken strangers
       
      evening after evening were blade-ridden,
      their statures curved downward like sorrow
      under such weight. But this was not the old world
      of red letters or mouthfuls of unspoken names,
      not the old world of women folded
       
      around their secrets like envelopes, of stark
      rooms where men asked what they’d done
      to deserve this. And the goddess whispered
      to the women in their dreams, and they awakened,
      startled, and knew the truth.
       
      They pinned up their hair, walked out into the morning,
      their blades glittering in the sun, sistering
      them to each other. They searched for the woman
      with the most blades, found her unable to stand,
      left for dead, nearly crushed beneath the blades’ weight.
       
      They called her queen. They lifted her with hands
      gentle as questions, flung her into the air,
      saw her snap straight, beat the wings at last,
      and they followed her, a swarm of them, terrible
      and thrumming, to put the blades to use.

      from #62 - Winter 2018

      Katie Bickham

      “When women are assaulted or raped, there seems to be a lot of pressure from friends, family, and even therapists to find peace, forgive, move on. When do women get a moment to be mad as hell for a change? Is it because vengeance isn’t feminine or attractive? Or is it because people know that if all of us who have ever been touched wrongly were to speak our own names all at once, the sheer volume of it would be deafening. This poem imagines that vengeance, that moment when finally, instead of being asked to heal and forgive, we are allowed the rage that is rightfully ours. We become the weapons that are used to take our power.”