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      August 19, 2011The ContestAndrew Nurkin

      Most mornings, even in the wet starvation covering everything
      after the third snow in ten days, and for reasons I suspect
      but am in no position to confirm, my neighbor comes out back to piss
      on his garbage can in the small paved space between our houses
      just below the window I stare out while pretending to read
      but really trying with coffee and first light to melt the sleep,
      the sense of already having blown the whole day, wasted the minutes
      before they’ve even happened, though the municipal garbage truck
      is just now beginning its arachnid climb up the street.
      The birdbath in the middle of his yard still topped with snow like a
      coconut crème on a cake service, the ones you see in diners down south,
      delicious from this distance, and the tacky little cupid flag
      his wife staked by the fence for Valentine’s Day now thankfully obscured
      by a solid twenty inches of compressed erasure. I hear his screen door
      slam and look up hoping to see his Tsi Tzu, whom he calls Terry Theresa
      in his gruff mutter, the vocal illustration of enmity for the whole world,
      even his damn ugly dog, as in “Terry Theresa, get the fuck out there and pee,
      you turd,” hoping to see her bolt out the door, skid and slide
      across the frozen yard, yapping in distress, this at least a moment of humor
      at their expense, which is, I can only assume, what my neighbor
      is searching for, a comedy of canine perturbation, when he flings
      spoiled cold cuts over the lilac bushes lining the fence into our yard,
      which he does often, slices of ham and bologna my dog gobbles down
      with glee behind my back, barks for more of, scratches at the door to get,
      this platter of salt and meat so unlike the dry kibble and occasional carrot
      he’s used to, so new to his stomach that he vomits it up a little later
      on the kitchen floor. And this is why the vengeful part of me, the raging part,
      longs to see Terry Theresa yap for help as she careens
      like a failed figure skater into the fence. But my neighbor follows her
      out in his bathrobe, sidles up to the city-issued garbage bin
      to relieve himself, and as I stare somewhere between the window
      and the top of my screen, trying to take in the scene for its pure absurdity
      but also revolted, for my neighbor must weigh almost three hundred pounds,
      so full a man that if he were not dead I would swear I lived next door to
      Marlon Brando in the later years, but it is just my enormous sonofabitch neighbor
      pissing while I watch and don’t watch at the same time until he looks up
      and somehow finds my gaze, and, knowing he has caught me
      though I still refuse in the fragments of second that pass to meet his eyes
      straight on, spreads a smile across his coldcut jowls, waves
      with his one free hand, which he then lowers and uses to pull back his
      bathrobe to show me his dick in full stream. It is then that I lose my nerve
      and look away completely, an action I later interpret as defeat, though
      what triumph would have been I have no clue. Perhaps triumph
      would have been opening the window and pissing on his head,
      or tossing chocolate-dipped milk bones over the lilacs, which would be the end
      of Terry Theresa, or having lots of extra loud sex with strange men
      right next to the window at all hours, which might be what pissed him off
      to begin with, but these are just fantasies of triumph,
      so all that is left to me is to write this poem, and there, now I’ve done it,
      written a poem about my fat neighbor who feeds my dog deli meat,
      urinates in the snow and exposes himself to me in the raw cold,
      which is exactly what I needed to have done to get on with my day.

      from #34 - Winter 2010

      Andrew Nurkin

      “Though I like going to poetry readings as much as anyone, occasionally my mind wanders. But the thing I love most about poetry, and poetry readings, is the dialogue a poem can open up between different points in time. The best poems I know are ones that knock me out of my lemming linearity into the free-form expanse of memory and experience.”