Shopping Cart
    items

      August 15, 2016The Draft of a MessiahRaquel Reyes-Lopez

      I’m not sure what sounds escape
      when a false messiah sings. If lips
      part gently, while tongue pushes
      out noise that mimics semi-truck
      collision, or if it’s a burst of two-
      hundred hummingbirds fluttering
      at the same time.
      So when my mother asks for me
      to sing to her, as blood runs down
      her nose. I can’t. There’s not a note
      etched onto my skin that reads off
      a hymn of salvation.
      In her delusions I am a messiah,
      something supernatural that can fix
      everything, and my human fragility
      is muted. I cannot cut at lower back,
      pull out, and beat my liver into hers.
      My mother’s voice eventually cracks
      after repeating over & over, “It hurts.
      Everything hurts. Save me. Why won’t
      you save me? Help me.
      I sing out doctor, medicine, ambulance.
      Words that sting. She realizes I am false
      messiah, a draft of a prayer unanswered,
      but somewhere in my eyes she sees a glint
      of daughter lingering.
      It’s enough for her to hang on, enough
      for her to mouth out daughter over &
      over. In tears I reply, “Mother, mother
      stay with me,” while wiping her blood
      away with my sleeves.

      from #52 - Summer 2016

      Raquel Reyes-Lopez

      “Being a Los Angeles poet allows you to reflect on every aspect of diversity and identity in your life. It urges you to incorporate into your writing what you have lost and gained, origins, and family. I am first generation here. Los Angeles poets have brought everyone from different cultures and age groups together. There are no barriers that stop us from expressing ourselves to one another. I believe no walls should stop Los Angeles poets from writing the uncomfortable because we have an audience that constantly welcomes our truth.”