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      July 13, 2020The HatJoseph Zaccardi

      The street sings with traffic and side-walkers wind along
      on the hard slick stone and a man pushes a Safeway cart
      he is dirty and pale and skinny and people swish past and
      cars rush by no one has the time to stop for the little man
      did I mention the little man starts to yell his eyes bulge
      his voice cracks there’s something he’s trying to get out
      the crowd backs up the traffic speeds by and the little man
      rips off his shirt tosses his hat into the street one car brakes
      is rear-ended by another car the crowd leans in to watch
      his hat land dead center between the broken white lines
      on the blacktop and someone spouts the little man’s hat
      as a beat cop pushes past gawkers and says move along folks
      and directs the motorist to pull over to the curb to discuss
      the little man and the little man’s hat once again and again
      as if nothing happened a new crowd of walkers assembles
      the traffic jam unjams and the shirtless little man mentioned
      before picks up a smoldering cigarette butt and takes a drag
      and watches the curl of smoke rise once again and again
      he pushes his cart toward the Tenderloin and shouts again
      about his hat and a well-heeled gentleman says
      no one wants your hat sir
      no one wants it

      from #67 - Spring 2020

      Joseph Zaccardi

      “Poetry came alive for me in the 6th grade when my teacher, Sister Francesca, gave me a small book of poems by W.C. Williams—a gift, alas, that I’ve lost track of. Perhaps the power of poetry is that it stays with you, even when it is not with you. I have no working process that I can recognize or describe. Each day is a tree of verbal apples one may climb; he is usually up there, unless he is after the even more delectable fruits of silence. Each day he tosses seeds; each day he retrieves just sprouted words.”