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      November 24, 2018The Jerry Lewis TelethonBruce Cohen

      In those existential black & white days
      It was indulgent luxury when television
      Succumbed to its own insomnia.
      My family adopted the Labor Day Telethon,
      The day off, children with no bed times
      Huddled around the talking box till 3 a.m.
      Surrounded by our personal repartee
      Of salty snacks. Members of the rat pack
      Would radiate on stage, comedians who’d end
      Their shtick with a somber note on the kids,
      & a few tame rock n’ roll bands.
      I must confess we never pledged a red cent
      & when solicited my father said he gave
      At work. I must confess when the crippled
      Kids (it was okay to say that then) paraded
      Across stage I made a fat, slow sandwich in
      The kitchen so I’d be spared the drooling,
      Slurred incoherent speech, their contorted
      Bodies supported by utterly exhausted parents,
      Their crutches & wheelchairs just out of reach.
      Look at us we’re walking. Look at us
      We’re talking. We who’ve never walked
      Or talked before. I was curious about one
      Thing: Jerry never revealed his personal conviction:
      Why he volunteered his heart year after year.
      People asked him always & he was stoically
      Evasive. It was the scoop. It sucked you in.
      I loved the 24-hour evolution of his tuxedo.
      When the telethon was new & hopeful,
      It was neatly pressed, shiny crow-black,
      His bow-tie so perfect it must have been tied
      By someone else. By the next bleary morning,
      His face unshaved, bags swelled under his eyes,
      The tie undone, of course, you could smell
      His stale Marlborough breath through the TV.
      But Jerry could do anything. Just his face
      Made us laugh. Astaire-like dancer, uncanny mimic,
      A singer, according to my father, better than Frank
      or Dean, he’d duet with whoever graced
      His couch. Jerry was especially moved by
      Unexpected stars & hugged & kissed even men.
      I wanted to be Jerry. The wacky voices, the fake
      Buck teeth. Unabashed generosity. I must confess
      I got chills during the drum roll before the new
      Total was announced. I even prayed a little
      For the cure though I suspected none of the kids
      Were Jewish so I worried my God might
      Not be watching the show. But Jerry was
      Jewish. So was Sammy Davis. I loved how
      We adopted him too, glass eye & all, the way he
      Threw in a Yiddish phrase when he spoke
      & we all smiled his same crooked smile.
      After three hours of sleep I would stumble
      Downstairs & flip on the show. None of the big
      Names were there at 5 a.m. Only Jerry. Only
      Some pudgy Vinnie from Local 526 who pledged
      744 bucks that he personally collected from
      Customers on his bread route, only a scout master
      From troop 13 whose boys collected 121 dollars
      From returning Coke bottles at two cents a pop.
      The early morning acts were crummy. Jerry needed
      Filler. A girl, who would be described in those
      Days as negro, was twirling a baton while doing
      Cartwheels. Jerry was twirling a baton as well.
      He could do anything. During her penultimate
      Cartwheel the girl’s top slid down.
      She quickly pulled it back up but I saw her breast.
      It was brief I admit but I saw it on TV.
      I had never seen a breast outside of my family
      Before & she ran off the stage in quick humiliation
      But Jerry, the gentleman that he was, ignored the indignity,
      Applauded & asked for the new total. All my life
      I wanted to ask contemporaries if they happened
      To be awake at that precise moment, if they had
      Seen what I’d seen, if it really happened.
      You know the business about the tree falling
      & if it makes a sound if no one is around?
      Don’t we need a witness to validate our lives?
      Each of us is so expert at deceiving ourselves.

      from #29 - Summer 2008

      Bruce Cohen

      “Mostly I generate poems out of quirky language, often a musically interesting phrase I overhear, so I rarely, initially, have any sense of the subject matter until well into the composition. The first sentence, like a jingle, had been knocking around my head for a while when suddenly it exploded quickly into a poem that virtually wrote itself, based on a memory of a naïve America from my childhood. It is rare that my poems stick to their narrative. I had no idea where the poem was headed and was surprised by the girl at the end who I had not remembered until the moment she appeared on the pages. She became the only person who was not, somehow, a romanticized cartoon. Vulnerable, yet dignified.”