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      June 26, 2012The KeepersLouisa Diodato

      In the cell-blocks of the dead are chandeliers
      big as elk. The nightly tango begins and ends when the sinner
      in the short black tie takes his lover’s ankle to his mouth
      and lips the bow of her fibula splintering like a wishbone.
      The jailer runs his hands up and down the bars,
      stains the palms with wet rust. He presses them to his throat,
      his chest, scents himself in metal the way a dog would.
      The innocent only watch. They take turns
      flipping the lights on and off—announcing a dance
      then the curtain. They chalk patterns on the walls;
      they debate the migratory routes of extinct deer
      toward Elysium. The jailer stretches himself over the cells,
      ties his wrists to the top corners with torn sheets. He parts his legs
      so the children there can perform their puppet show,
      fetal hands making gasping shapes under old rags,
      throwing shadows on the mud-packed walls. The jailer’s head
      rolls shoulder to shoulder, his calves shudder and collapse
      so the curtains fall. Let the music
      be thin tonight. Let the freshly guillotined player
      and his flamenco guitar hang in their shackles on the wall tonight
      windless. The keepers of the dead left to their rest.
      The children lift the jailer man with their fingers.
      They spare their small cots for his separate limbs.

      from #36 - Winter 2011

      Louisa Diodato

      “One night last winter, like most nights I spent during my two MFA years in Madison, Wisconsin, I found myself curled up in my grandmother’s old armchair in an even older apartment with three walls worth of drafty windows, a whole pot of tea, and a whole book ahead of me. One night that book was David Wojahn’s Interrogation Palace: New and Selected Poems. It turned out to be the very book I had been waiting for a long time to find—and after reading and rereading the phrase ‘the cellblocks of the dead’ in his poem ‘The Shades,’ I knew I wouldn’t be able to move on until I’d written a poem with his line in it. ‘The Keepers’ is that poem.”