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      January 22, 2016The Kneeling ManDennis Finnell

      Things are pretty much status quo
      here. We are well, just as oddly
      off-hand and anxious as ever. We think
      of ourselves as special dark chocolate
      with a secret ingredient, white pepper.
      We no longer have a cat—nor
      does she have us. At the end
      she lay under the Christmas tree
      like a toy, and breathed fast,
      consciously. We couldn’t let her
      suffer more, or us, or the world.
      It’s autumn and the maples
      know more than we do about winter,
      trying to both mislead her
      by turning orange and yellow like
      a squid, then dropping everything
      and going naked. Then the sap
      of their souls migrates into dirt,
      reborn as the makings of sweetness,
      the makings of belief, great
      on pancakes. We want to tell you
      about the kneeling man
      at the entrance to Kroeger’s,
      a cardboard sign hanging around
      his neck, illegible words
      bending his neck, his face—
      what some might call “physiognomy”—
      legible. We had our week’s
      groceries safe in the trunk and drove
      by him, telling each other
      Don’t make eye contact, because
      it’s the first step toward what,
      money, love? Now home I feel sick like
      I’ve eaten something wrong
      like a baby, just because some of us
      don’t risk being fooled
      but this is all moot, that guy
      must be gone now that it’s dark
      out there, but he is out there
      somewhere trying to earn an earthly
      indulgence climbing the stairs
      of a human spine on his knees.

      from #50 - Winter 2015

      Dennis Finnell

      “As far as a reason for writing poems, I’ve forgotten why I do, and I’m not being too glib. I’ve been at this for so long now so it’s more of a habit than anything, and I think a good one. Good in the sense of feeling alive when I’m working at writing, and it is work.”