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      March 23, 2015The Last Time I Used the N WordTony Gloeggler

      Was back in the New York City crack years,
      a perfectly crisp fall day, climbing out
      of the F train hole and walking the block
      and a half to the group home, decades
      before Brooklyn grew too cool for its own
      good. I nodded to old man Jose as he hung
      flower pots from the awning of his store.
      My hands were tucked in my pockets
      and Van Morrison’s “Full Force Gale”
      was blowing through my head when a kid
      started walking next to me and said
      almost in a whisper “mister give me
      your wallet.” I lifted my hands, looked
      him up and down, a thin, brown-skinned,
      maybe thirteen-year-old kid and I smirked,
      kept walking when another kid grabbed
      my shoulder, said “we ain’t shittin’”
      and pressed this tiny gun against my neck.
      I just raised my arms to god on high
      and surrendered as he dug deep
      in my pockets until Jose yelled
      something in Spanish and they tore
      ass through the schoolyard, down
      into the projects. I waved to Jose
      and walked up the steps to my job,
      rang the bell and Liz, who told everyone
      that she was my black mama, asked
      “child, what happened to you”
      and wrapped me in her huge arms
      saying “those fucking niggers”
      and I mumbled mostly to myself
      “yeah, those fucking niggers”
      as if I was singing along to the radio
      and the word felt so right, so good,
      rolling, tumbling out of my mouth.

      from #46 - winter 2014

      Tony Gloeggler

      “I started writing as a way to try and figure things out for myself. It was mostly about things that people I knew didn’t talk about. And I think that’s why I still write. As a narrative poet, I’m often asked about how much of my material comes from everyday life and the answer, degree, depends on each poem. While all of the poems convey a true intent, the genuine feeling, I will sometimes change the actual facts to make the poem more effective. With this one, I didn’t have to change a thing. It happened exactly like this. I just wrote it down. I don’t think a lot of white poets write about race and I sat with it for years. I got a bit of a nudge when I became aware of the Hoagland/Rankine debate and I’m really interested in how these kinds of things play out on a Brooklyn street corner.”