Shopping Cart
    items

      January 9, 2019The Long DeadDoug Ramspeck

      Mostly we smoked with our backs
      to the fence, watching our classmates
      filing out from the school grounds,
      or we exchanged pills for a handful
      of dollars, or we made rude remarks
      to the girls we liked. One was named Marlene,
      and nine years later she took her own life
      in a bathroom of an apartment house
      where she was living with her boyfriend
      and their son, though back in high school
      she would give us the finger or pretend
      she might flash us. Her brother ended up
      doing time for check kiting—a term
      I didn’t know until he went away for it—
      and decades later I saw him at a YMCA
      with his clothes off, as fat as a walrus,
      and he reminded me of a time we’d almost
      stolen a car then had chickened out,
      reminded me of a time we drove
      to Wisconsin where the drinking age
      was eighteen. Apparently he struck a car
      in the parking lot before we headed back,
      though I had no memory of the accident.
      Mostly I nodded while he stood with a towel
      draped over his shoulder, and we talked
      about the long dead, including his sister,
      and I imagined my back against the fence
      as she was walking by, and I remembered how
      she would turn as we called out, her mouth
      undecided whether it were angry or amused,
      and the clouds above her seemed a reliquary,
      the earth spinning out on its wheel.

      from #61 - Fall 2018

      Doug Ramspeck

      “Sleep, in my childhood, was a wonderfully blank wall, but now there are so many fitful moments. And as inconvenient as this is, it is good for my poetry. Ideas often occur to me when I am on the borderline between sleep and waking, and ‘The Long Dead’ is an example. Insomnia may be a cranky and inconvenient muse, but I’ll take it.”