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      April 30, 2015The Nightly Villanelle of Their Twelfth YearShangrila Willy

      She lies awake and aches
      for him. Beside her, he snores,
      longs for her to wake
      him with a touch, to shake
      them from the dream of her
      in which she lies and aches
      for someone else to take
      the thing that once before
      he longed for that will not wake
      from sleep or let them slake
      their longing for each other.
      She lies awake and aches
      for them, for the dream that breaks
      them in two, that lies like a door
      along their creasing. Wake
      up—she tries to make
      the shape of words, call for
      the lie to wake them—she aches.
      He longs for her to wake.

      from #46 - winter 2014

      Shangrila Willy

      “There is an apocryphal story in my family that limns a four-year-old me standing in the backyard composing poems to the trees. I’m sure they were terrible, terrible poems, but picture it as the first scene of a love story written, horrifically, by Nicholas Sparks. In the last scene, Poetry and I die together on my bed of pain having overcome consumption and the bar exam and also zombie robots. It is both a bright, sunlit day and pouring rain. In writing this poem, I wanted to evoke the narrow space of the bed in which my two hapless protagonists touch but do not touch, and to do so I pried two feet of width from the form. The result was like pirouetting in a very small closet—claustrophobic, secret, dizzying, exhilarating.”