Shopping Cart
    items

      July 31, 2012The Noises Poetry MakesAndrew Nurkin

      I had zoned out, at first counting the numbers
      in Fibonacci’s sequence, then considering
      the idea of California as a kind of limit
      that approaches infinity, and then
      measuring my pulse the way my father
      used to in church, and then remembering
      a meatloaf sandwich I had one time as a kid
      at a roadside café somewhere near Big Sur.
      To this day, the best sandwich I ever had:
      lightly toasted sourdough, ample slice of meatloaf,
      just the right amount of mayonnaise.
      And my whole family was there in the sunshine
      on a road trip along the Pacific Coast Highway,
      my brothers cutting up in their windbreakers,
      my mother making little oohs and ahhs as she
      gestured toward the ocean with a potato chip,
      my father opening a Diet Coke and rolling his eyes
      because I couldn’t shut up about that sandwich,
      which I was just now having again in my mind
      for the umpteenth time when the woman
      at the front of the room finished reading
      her poem about her difficult father and a rusty can opener,
      which apparently had picked up some symbolic meaning
      in the several minutes since I had stopped paying attention
      so that the last line was pregnant with
      charge and emotional resonance, causing,
      after a pause, a chorus of audible exhales and low sighs,
      the noises people make at poetry readings
      to let each other know they have been moved,
      that they love and can have their breath arrested
      by poetry, the same sounds people make
      when they sit in the electronic massage chairs at the mall,
      exclamations of unexpected sensation that cannot be
      suppressed and yet are muted for fear
      of seeming uncouth, half stifled chortle, half
      guttural sex groan heard through a hotel wall.
      It must have been a damn good poem
      because everyone seemed to be giving off
      sympathetic cries and muffled moans
      struggling toward articulation, a room
      momentarily full of Meg Ryans in the throes.
      And I, too, let out a little sigh, a soft but
      audibly approving coo,
      not because I wanted to go along with
      the crowd, though everyone around me assumed
      my noise, like theirs, owed to the difficult father,
      but because I had been thinking about that sandwich,
      could still almost taste it—sourdough, grease, mayonnaise,
      picnic table in a gravel parking lot, penny sun
      over the Pacific Ocean—and just the memory of it
      gave me more pleasure than I could silently bear.

      from #36 - Winter 2011

      Andrew Nurkin

      “Though I like going to poetry readings as much as anyone, occasionally my mind wanders. But the thing I love most about poetry, and poetry readings, is the dialogue a poem can open up between different points in time. The best poems I know are ones that knock me out of my lemming linearity into the free-form expanse of memory and experience.”