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      April 5, 2015The Poetry LessonJackleen Holton

      for Steve Kowit, June 30, 1938 – April 2, 2015

      Steal a line from a great poem
      because the best poets don’t pay
      Homage—that word like the godly He,
      spelled with a capital H—they take
      as if the whole world was their smorgasbord.
      Yes, that’s what it felt like on that day we hiked
      in the Cuyamacas, and all of nature
      seemed to be slyly winking
      as it sent us bluebird after bluebird, wild
      turkey, deer, and that wounded lizard
      we found on the path, the one you gently
      moved aside with a stick as you swore
      to the squeamish among us that its torn-off tail
      would regenerate itself in a week. Our group
      was mostly poetry students, and you, winking back,
      as if you had summoned the gods, arranged
      for a lesson so perfect it would be impossible not to write
      a poem. So this is mine, the one I’m trying to shape
      from your teachings, the day after learning you’ve gone,
      your books spread out over my cluttered desk.
      That’s another one of your tricks: include in your poem
      a reference to the writing of it, like a camera
      pulling back to reveal the soundstage, gaffers,
      boom mikes and floodlights. After the hike,
      a few of us drove to a small lake where your friend Jack
      set up a telescope, and we waited to catch
      a glimpse of the fledgling eaglet
      whose parents had forged a temporary
      nest in the brambles. Here’s what I remember:
      my stomach rumbling as we took turns gazing
      into the eyepiece. I wasn’t thinking of eaglets,
      but Julian apple pie. I was going to have mine à la mode
      with Dutch crumble crust. (Notice how I’ve used
      assonance and consonance, the mimicking sounds
      of brambles/rumbling/crumble/crust?)
      But when that large nest rustled, and the fledgling
      rose, its new wings flapping, and landed, briefly
      on a branch, I forgot about everything
      I planned to do later: have lunch
      at that roadside café where we always ended up,
      the lively political discussion that would ensue,
      even the exquisite dessert, its perfect blending
      of hot and cold. But, then just as quickly
      as it had appeared, the little eagle
      dropped back into its nest, out of sight.
      Would this be a good place to address
      the reader, to instruct?
      Listen! When the beauty of a thing insists
      on being seen, you must give yourself over
      to it, for this is the shimmering everything: the moment
      and its volumes of unwritten poems.
      But here’s the part where I make my confession:
      I lied. I never saw that eaglet.
      The stupid guy I was dating left his backpack
      at the trailhead. And I, being even stupider,
      drove him back instead of letting him take my car,
      going with you and Jack to see the bird.
      But everything else is true: the lizard,
      the café where you told us of your miraculous
      sighting, the steaming apple pie. I saw you last month
      at a workshop you taught. It never occurred to me,
      not for a second, that it would be the last time.
      You said, Here’s a trick, a really cheap trick:
      End your poem with a rhyme.

      from Poets Respond

      Jackleen Holton

      “This poem is for my first poetry teacher, Steve Kowit, who passed away on April 2nd. He was a great poet, mentor, and one of the most generous people I’ve ever met. Steve had several ‘tricks’ for writing poems, which he used in his own work, and I have tried my best to include in this tribute piece. My favorite is this: Tell at least one lie in your poem.”