THE TACO BOAT
—from Rattle #57, Fall 2017
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Al Ortolani: “I became interested in Emmett Kelly recently, and as I was ‘surfing’ his life, I ran into a picture of him in full Weary Willie costume trying to put out flames at the Hartford Circus Fire in 1944. I had already started the poem from a sort of Everyman position, but I worked into an Emmett Kelly as archetype poem, one that was not about the fire in particular, but about the ‘funny man’ decompressing at the end of a day. I think it relates to most of us as we leave behind our ‘public face.’ In general I find poems in little moments. Small moments, maybe profound, but probably as ubiquitous as dogs behind a chain-link fence. I like the idea of opening the gate, so I can step in closer to see if they lick my hand, or bite my ass. Mostly, they’re good guys, but not too keen on playing dead or begging for treats.” (web)