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      January 6, 2024The Tale of La LloronaRaquel Vasquez Gilliland

      I was born with one eye open
      on the back of my head. It made
      it easy to walk along the branches
      of mango trees. Limb to limb,
      finger to finger, I walked to the
      house of my mother, then to my
      grandmother’s. In between
      I discovered the House of Vasquez,
      connected to me and my sister
      and my mother like the marrow
      of bone. Inside the house were
      secrets. An eyelash at the grave
      of my mother ’s sister. A black pupil
      looking from my grandmother’s
      silver hair. I asked my mother,
      why are the Vasquez women
      born with so many eyes? And
      she said she thinks it’s because
      we have so many tears. When
      I was pregnant, it became difficult
      to wrap my bear feet around
      mango tree arms. Once, a wind
      blew so hard, I fell. My baby slipped
      all the way down to where I open,
      to where my body becomes a star.
      In order to push him out, I had to cut
      open my fourth eye. For the first time,
      I saw whole from the back and
      the front. And my God. This world
      is made of nothing but estrellas.
      My spine fell out of my body and
      latched to the tree as my baby did
      to my breast. And when I cried, the
      tears came from both sides. The tears
      were saltier than the ocean. I didn’t know
      this at the time, but they were also sweet.

      from Tales from the House of Vasquez

      Raquel Vasquez Gilliland

      “Nearly two years after having a nervous breakdown after the birth of my son, I started to examine this experience with poetry. Mental illness runs on my mother’s side of the family—with the Vasquez women, specifically—and in searching for the reasons why, I found stories. Some of these are from the lips of my grandmother and mother, some are ones I unearthed inexplicably, from the fertile dirt where poems grow.”