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      July 2, 2009The Tulip TreeTed Gilly

      If you were lucky enough to live in Henry County, Virginia,
      in 1962, when the knitting mills’ softball teams lifted red dust
      as fine as smoke into the lights of Brown Street field
               on Friday nights;

      where the wives of veterans sewed a thousand miles of waistbands
      into a million pairs of underpants they tossed into the piecework bins
      and bent over the hot machine to do it again before the whistle blew
                its breath down their throats;

      and where children charged through the elbows and knees
      of faded homemade clothes that couldn’t last long enough
      to get passed down to their brothers and sisters,
                racing to catch up,

      you would have seen a landscape bruised by the wheels of bicycles
      left lying in the red dirt in the rain to rust overnight,
      children hurtling down paths through the scrub pines
                all summer long,

      some of them letting go, Daniel Simmons one of these,
      shot by a friend in the woods as they hunted squirrels
      and laid to rest in the green of the new graveyard,
                who never got the chance

      to lie or to love or to learn the difference on the hot nights
      when the girls who were almost women and distantly available
      pressed their lips unceremoniously against yours
                in the dark car

      to taste the breath of smoke and Coke and then come in late,
      mesmerized in the light of the kitchen’s fluorescent halo
      like an animal in a stall and go on up to bed
                and dream

      of becoming a human being and to imagine, at breakfast,
      that their parents were going the other way
      when in fact they were just going to work,
                gathering again at the mill’s gate,

      which lay in view of the school with its antique entrances
      for boys and for girls—one each, for the purpose of keeping apart
      those who could not be kept apart and knew it, who chewed pencils
                and spit blood

      and wrote in their yearbooks of their forever-love, if girls,
      and It’s been nice knowing ya, asshole, if boys,
      who together fumbled the refined cotton and the elastic
                into something that would hold

      until it gave way and who, when that moment came, were so
      quieted the pale dye ran out of their eyes. The mills moved south,
      the young turned away and the old reached out too late to hold them,
                and the whole cloth

      emerged, neatly folded and forgotten—almost as if it had never existed—
      until it lay at last in the bottom drawer of a dresser
      at the top of the stairs where I lifted out, molted back almost into
                its constituent threads,

      my sister’s blanket, from which as a child she was inseparable
      and which, like her nature, was of a flannelling softness,
      this agreeable and defeated blue fragment
                so covered with years

      it could not bear that it absorbed them the way the red clay
      wrapped its legs around the rain and shook with its pounding,
      the scarlet pigment seething brightly beneath the sky, the wet hills
                vivid as a dream

      the tulip tree—drowsy in captivity, clever in the way its black fingers
      sifted starlings from the air—shook its head to awaken from, opening
      the throats of its extravagant white and golden flowers to speak
                its single perfumed word.

      from #30 - Winter 2008