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      June 23, 2014The Unintended Lecture on DesireLynne Knight

      Hard labor was good for you, he said,
      and by now sweat splotched his shirt,
      his face had runnels of sweat, like the four
      of us, two couples ripping rotted shingles
      from the house, mid-July, humid, windless,
       
      already my arms ached and the sweat stung
      my eyes, but it would be good for me, I knew,
      not just in the way he said but because I wanted
      to rid my body of desire for him, forbidden
      desire, since he was my best friend’s husband,
       
      so I slid my hammer to get purchase and pulled
      until a shingle loosened, again, again, he said
      maybe we should stop for a beer but I wanted
      to keep going, I wiped my eyes with the bandana
      my own husband handed me, and my best friend
       
      said she didn’t want a beer, she wanted a long
      hot soak, and I saw the two of them making love
      in the hot tub, and I wished we were shingling
      the house instead of unshingling it, so I could
      hammer, hammer, hammer desire away, 
       
      and then he said he’d been reading a book
      about perspective, it got a little too technical
      in parts but was worth the slog because of
      the reminder that no one could see what someone
      else saw, think about it, even this, he said,
       
      even the four of us out here in this fucking heat
      ripping shingles I should’ve ripped five years ago,
      not one of us can see what the others see.
      I’m here, you’re there, he said, and that’s all
      there is to it: we’re alone, we’re in this alone.

      from #42 - Winter 2013

      Lynne Knight

      “In my hippie days, I read Huxley’s The Doors of Perception, and came upon the passage that claims we’re in this alone. At the time, I was naïve enough (I was a hippie, after all) to think I would soon find my other half and never feel alone again. Fast-forward many decades to this poem. Nothing happened the way the poem claims it did. But writing it was a way of coming to terms with an idea I’ve always wanted to resist.”