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      July 27, 2010This is the Part of the Story I’d Rather Not TellEmily Kagan Trenchard

      how at 13 I would lay awake at night deciding
      which friend or family member would have to die
      so that I might be aggrieved enough to be interesting,
      so that I would have the permission to become more
      withdrawn and mysterious and thus, more attractive.
      I’d lay awake at night, plotting who it should be, how
      it should go for the maximum impact. It would have
      to be something epic so that I could become a rag doll
      in his arms, bury my sweet face in the meaty expanse
      of his 13-year-old chest and breathe deep the scent of his
      Old Spice for my consolation. My malaise would surely
      cause me to lose my appetite, and thus the tragic death
      of my loved one would conveniently double as a diet plan.
      In the version of the story where a masked gunman
      breaks into our school and holds us all hostage, I am
      always able to tackle him after he gets off a few
      shots. One of them hits me non-fatally in the shoulder
      and my current infatuation takes off his shirt to help
      staunch the bleeding. I’m not sure how the story proceeds
      from there because at this point in my dream I always
      began to masturbate. I had determined that certain aunts
      and cousins were important, but ultimately non-essential
      enough to my daily life to be suitable options. Certain friends
      had also been earmarked as acceptable, and I would update
      my list with god each evening, playing through the
      circumstances of their death and grieving each one with
      actual tears so god might see what good choices I had made.
      I didn’t want him to think I had cheaped out and picked a
      distant relative or a secret enemy to exchange for my love’s
      fulfillment. What kind of love would that be, anyway?

       

       

      When it finally happened, there was no one but the floor
      to fall into. Nothing but the gasping choke for my consolation.
      I wouldn’t let anyone touch me. The sacrificial loved one?
      My best friend with the crooked smile and first kiss around
      the corner, her mother who kissed my head like a daughter,
      her father who would fetch me midnight bowls of cereal,
      her sister, getting ready to start college. The epic disaster?
      An exploding plane.
      To whom much is given, much is expected.
      I no longer speak to god.
      I love like I’d kill for it.

      from #32 - Winter 2009

      Emily Kagan Trenchard

      “I love poetry because it cracks the skull open in much the same way science does. It illuminates and tickles, demands discovery, and insists upon a struggle with contradiction and complexity.”