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      November 12, 2022Though They Called Us Two MaidensAvery Yoder-Wells

      This summer we try out manhood
      like chlorophyll, a veneer on the fields.
      Would you kiss him if he asked,
      would you hold hands if you wanted to,
      warm them as we wander the streets of Pompeii?
      Your birthday comes just when the air gets cold,
      our bulging pockets dripping with summer zest.
      they’re not paid enough to care. Neither do we,
      I have nail polish in every color of the sunset.
      moments taste sweeter stolen.
      No one would give us the world
      if we didn’t take it—
      if we didn’t know they’re not looking.
      We don’t answer
      the men who call for our outlines.
      they don’t know our names yet
      We haven’t chosen them. Names stink
      like cigarette ash and sugar, dead giveaways,
      too crisp and bitter for childhood.
      our last hours flash with stolen colors
      We are laughing, dry as leaves.
      We are gangly skeins of bones.
      the summer shadows are long on the football fields
      we are curled deep between the ashes.
      And until fall comes, we have excuses
      blank slates for our secrets.
      sweet as sap, rich as veins.
      Tell me you love me,
      tell me a joke
      tell me you’ll do anything
      as long as I don’t let you fall
      into the pool—
      As long as I only kiss you in the summer
      as long as I hold your drunk hands close
      your chin up high.
      We started the summer together
      and we pull autumn into our hands,
      the sunset dripping from our nails
      as we drag it under the horizon
      looking for closure.
      but our dead city is dying again
      sinking us deeper underground.
      I kiss you so quietly nobody can hear.
      The edges of the leaves crinkle with laughter
      and we are nothing but open wounds.

      from 2022 RYPA

      Avery Yoder-Wells (age 15)

      Why do you like to write poetry?

      “I like to write poetry because it’s such a dance between writer and reader. I imagine poetry as a wine glass, beginning broadly, then narrowing until the poem reveals what it’s really been about this whole time. Poetry has so few rules—grammar, structure, and even punctuation are subjective. All that matters is enjoying what you’ve created, and leaving the reader in a different place than they began.”