Shopping Cart
    items

      December 20, 2010True North by Jody AliesanJody Aliesan

      Review by Tom KappelTrue North by Jody Aliesan

      TRUE NORTH: NORD VRAI
      by Jody Aliesan

      Blue Begonia Press
      225 South 15th Avenue
      Yakima, WA 98902
      ISBN: 10: 0-911287-58-2
      186 pp, 2007 $18.00
      www.bluebegoniapress.com

      The President of Blue Begonia Press, Inc, Jim Bodeen, in a letter included with the review copy of True North: Nord Vrai, by Jody Aliesan, opened with a first line that was a centered and bolded pull-quote from the book’s “Preambule: to synchronize our watching,” which states, “We don’t have a choice in the matter. The dark matter.” The next sentence is as follows: “Taking the next step in a lifetime of activism, poet Jody Aliesan left the United States for Canada after the invasion of Iraq. ‘Love it or leave it,’ they said, ‘so I did.'”

      He describes the book further on in the letter with this: “The result is a multi-genre memoir, a narrative collage about pathological liars, psychopaths, cruelty, hypocrisy, denial, pretension, concealment, orientation, maps, finding the truth.”

      My problems with this book, frankly, began here. Spending hours of my life reading a book that is a narrative collage about pathological liars, psychopaths, cruelty, hypocrisy, denial, pretension, and concealment isn’t tops on my list. Following that up by the author being a lifetime activist who abandoned the battlefield and her country did not present to me a likeable individual that I wanted to spend a lot more time getting to know.

      Still, intellectual curiosity, understanding the human condition, and the obligation I felt to the commitment to write this review did have me read the book. And, sadly, my first opinion didn’t change by the end of it. I did not like or enjoy this book. Unfortunately, Mr. Bodeen’s description was entirely accurate.

      Ms. Aliesan, I’m sorry to say, experienced a lot of dark energy, dark matter, and horror in her life. This book carries us along with her experiences, her feelings, her perceptions, her thoughts, her decisions, and her discovery of her own truth.

      She invites us to begin our journey through the book with a poem following her Preambula:

      YOU ARE STANDING IN A DARK ROOM

      looking our bright windows
      the room is your skull
      the brightness your eyesockets

      you are safely hidden
      curtains and treeboughs protect you
      from anyone looking in

      when you are ready
      move as slowly as you want
      up to the curtains to a small slit

      see through the branches
      a sheet on a rope between trees
      its hem in the grass

      on its surface move shadows
      of people behind it
      they are hiding something from you

              you know what it is

      when you have seen enough
      step away from the curtains
      turn back to the dark

      in this room is a table
      when you find it you will notice
      it is covered with a cloth

      there is something beneath the cloth
      it is what you hide from yourself
      you know what it is

                      it is time to uncover it

      The rest of the 174 or so text pages of this memoir-journal-diary are sprinkled with poems, images of childhood drawings and sheet music, notes, dictionary descriptions, pull quotes, essays, letters, and lists.

      We start the journey in the 1940’s with some images of childhood drawings and progress through pages of her memoirs until around page 18, where we are given lists, definitions, and descriptions of Psychopathy, Key Symptoms of Psychopathy, Aggressive Narcissism, and an experience of alcoholism. We continue sharing her life experiences through relationships, rape, and court and personal trials, to the truths she discovered beneath the table cloth and on to the end of the book where she declares her personal new independence day. She crossed into Canada on July 28, 2004. She shares with us her feelings in her final written paragraph in the book.

      On this, my new personal independence day, I followed the Drinking Gourd and crossed into Canada. I haven’t gone back, and I have no desire or intention to do so. They could close the border and I’d be stuck down there, eh? As a citizen of the world, I continue to oppose the deep psychology of the United States and will do what I can to defend Canada from old and ongoing schemes of conquest and annexation, in their many forms. But that’s a new story. What you’ve read on these pages is about a former life, in another country.

      They say you really don’t know a person unless you’ve walked a distance in their shoes. Jody Aliesan–we do know her by the end–completes her book with two poems. The first is called, before you leave the country, and the last is titled, Taking Possession. Since our journey through the book started with a poem, it is appropriate to end it and this review with a poem as well, so here is her last:

      TAKING POSSESSION

      Where I begin is all one to me.
      Wherever I begin I will return again.
      –Parmenides, Fragment V

      slide your finger into the lock
      keyhole pushes your flesh back
      so only the bone enters
      you are coming into your own

      Clear beads in your palm
      how to string them together
      fuse them into a long line
      to carry this current

      floating on the thermals
      spiraling up for a look around
      so much effort to get here
      so little to maintain

      Throw ballast overboard to stay aloft
      all that’s left to toss out is yourself
      jump to save your craft
      or crash land with it

      but we’re out of our depth here
      we’re much too shallow
      ripple chop makes all surface
      keep still so we can go down

      ***

      let anything settle
      it’ll rise to the top
      push your finger into the mouth
      of this cold white bottle
      milk erupting over your hand
      thick creamy plug around your knuckle
      raise it to your lips now
      suck it roll it on your tongue
      this is truth sweet truth

      ***

      living under a shadow
      our eyes get sharper we get
      better night vision

      in the kind of silence that makes you shout
      to prove you haven’t gone deaf
      a moth flutters in the dark
      and on the other side of black windows
      wind pushes trees against the glass

      how do we go to our hearts’ slaughter
      fight every inch of the way or submit
      whatever we do we will question

      life goes on the stars wheel
      we stand outside listening to night creatures
      starlight falls gently or blows with fury
      we are soaked and shaken bent low
      under the downpour of revelation

      fingers in your ears cosmic echo
      ringing in your blood
      recite the name of every thing
      you’ve learned to live without

      it’s stronger than prayer

      Vancouver , 2006

      I was not uplifted by this book. I shared in another person’s dark troubled life and, although I came away more knowledgeable, I can’t say I came away a better person for the experience or the time spent. I wish Jody a long, fulfilling, happy life in her new country and I hope her love of Canada lasts for a long time.

      Tom Kappel is an Arizona based freelance writer. His articles and short fiction have appeared in over 20 publications including, The Best of FaithWriter’s, The Redbridge Review, Emporium Gazette, Psychic Quest, Albuquerque Monthly, Land of Enchantment Romance Writer’s Guide (LERA), and many others.