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      August 4, 2009VirginiaTed Gilley

      Of my sixth-grade teacher, Mr. Smith,
      I remember imperfectly some details:
      his face, perhaps, was paper-white
      and his hands delicate as shells,
      and that he settled these deep in the pockets
                 of a dark topcoat;

      that he drove a black Studebaker,
      was graduated from a teachers’ college
      in the deeper South, that he called me
      supercilious and when I asked haughtily
      what that meant, told me
                 to look it up.

      I remember the day we pushed him to the edge.
      He was reading to us, and we little swine
      were clowning, someone armpit-farting to good effect
      when at a sharp silence our pin heads
      swivelled and Mr. Smith literally
                 threw his book

      into the air, where it paused, opening its covers,
      then descended, striking him and knocking
      his black-framed glasses onto the desk.
      His fists opened automatically to catch them,
      the blood rushed to the roots
                 of his thinning black hair

      and his disciplined shoulders shook
      inside the dark suit jacket he wore,
      the narrow tie a red stain on the white shirt
      and Now, I thought, he will really explode,
      this baby-faced man who disliked me but praised
                 the stories I wrote,

      who wrote Excellent! in his fine hand
      across the face of the silly fictions I turned in—
      who had taped a travel poster to the blackboard one day
      and said, Write a story about this—and how
      my astonishment lifted me above the groans
                 of my classmates

      because already I had an idea involving death
      and doomed, hung-over fighter pilots who smoked
      and the tragic eruption of a volcano
      that would finish off whatever I’d begun,
      and that in triumph I would write, with a flourish,
                 The End,

      and wouldn’t that just show them all
      that I was not who I appeared to be,
      a skinny boy afraid of dogs and the dark,
      who read books to exacerbate his fears,
      who wanted to be a writer because by doing so
                 he could disappear?

      Smith rose and told us in a quiet voice
      to get our coats and line up,
      we were going for a walk—and this
      unprecedented prospect of unscheduled
      freedom so shocked us that we became
                 children again, clumsy

      and obedient but watching closely as he turned up
      the collar of his dark coat and his face,
      like a pale pane of light, became a glass
      we pressed our faces against. We walked through
      the gleaming, dim hallways toward the doors
                 and then into the sunlight

      of a bright October afternoon and on
      across the tarmac to the bordering woods
      where we broke, finally, running like mad
      under the trees but circling back again in twos and threes
      to where he walked, silent but with purpose
                 along the path.

      And no child watched that white face
      more closely than I, for hadn’t I already begun
      to turn the world into words and words into memory
      so that I could manage without him?
      Hadn’t he called me by my true name
                 and made me pay?

      Didn’t I walk now as close as I could
      without touching his strange silence, and didn’t he ignore me
      like the master he was? Wouldn’t I have to walk
      deeper into the woods than I could have imagined
      in order to come back, today, and raise my hand and say,
                 Now I understand?

      from #30 - Winter 2008