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      December 14, 2022What’s Love Got to Do With ItJanuary Gill O’Neil

      And when Tina sings I’ve been taking on 
      a new direction directly to camera,
      defiant, her lips glazed a tumultuous red,
      she takes her hand and adjusts her
      honey brown bangs out of her eyes
      then continues singing about her own
      protection. That MTV moment—Tina
      in a denim jacket and leather skirt,
      her million-dollar legs in black-seamed hose
      wearing fuck-Ike-this-is-my-video heels,
      a long way from “Nutbush City Blues”—
      indelible on my 15-year-old psyche
      when I had no idea what love had to do
      with anything—but I understood it was work,
      even painful, watching my parents argue
      and stay together, years later arguing with my ex
      and not staying together. It’s only now
      into my half-life I can speak of that sweeping
      gesture, how the imperfectness of the moment
      stayed with me all these years, not as a gaffe
      or faux pas for the cutting room floor,
      but from a woman in full command of her power,
      flaws and all, Tina’s hand gliding like the phases
      of the moon, that love could be second hand,
      given to pleasure, the rough music
      that remains after the light passes through us
      because who needs a heart when a heart 
      can be broken.  

      from #77 - Fall 2022

      January Gill O’Neil

      “Memory is amazing. With all the infinite moments we are continuously making and shedding, this frame of Tina Turner flicking her hair away in the video has stayed with me. It’s a mere second where we see her grit and self-reliance. Honestly, I don’t know where ‘What’s Love Got to Do With It’ came from, but I am thrilled I was here to greet it when it arrived.”