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      November 29, 2022WingspanChristopher Shipman

      Image: “Ballet Above the Bay” by René Bohnen. “Wingspan” was written by Christopher Shipman for Rattle’s Ekphrastic Challenge, October 2022, and selected as the Editor’s Choice. (PDF / JPG)
      We decided it was time.
      After three years in North Carolina
      we booked an Airbnb
      dubbed “The Bird’s Nest”
      in a little mountain town outside Asheville.
      We’d gone to the Biltmore.
      A brewery with a Putt-Putt course.
      Strolled downtown shops.
      Had dinner at a local pizza haunt.
      Then on the last night, our daughter, sprawled
      in the Bird’s Nest’s
      only bed, plate of leftover pizza
      balanced on her lap, asked the number of days
      she’s been alive. Like a good
      21st century father, I used Google
      to calculate the days
      from birth to Bird’s Nest.
      And there nested in the newsfeed, where, let’s
      face it, tragedy lives
      beyond itself, I read a headline
      that celebrated a father’s use of Google
      to save his child’s life
      when a heart attack nearly killed him.
      When his heart broke
      the article says, before it spills into confessing
      the subsequent promise of love
      whispered nightly
      that provided the child the chance to tell
      his parents who he really is—
      a gay West African teen
      marching unseen to the pulpit decades of days.
      Driving home to Greensboro
      mist is a religion spanning
      the mountains—an obfuscation of angels
      holding hands wing to wing.
      There’s a heart inside it.
      A kind of breaking. A kind of aching
      to be seen. Like the moment
      a child asks how long
      they’ve been alive. Our daughter
      has been alive 2818 days—one more
      than this time yesterday.

      from Ekphrastic Challenge

      Comment from the editor, Megan O'Reilly

      “There are some wonderful turns of phrase in Christopher Shipman’s ‘Wingspan’ that caught my attention—‘from birth to Bird’s Nest / and there nested in the newsfeed …’—but what struck me most was the way the emotion of the poem captured the feelings René Bohnen’s painting ‘Ballet Above the Bay’ evokes. I sense a tension between past and future in both pieces, and a complex but unbreakable human connection, like the one between parent and child. ‘Theres a heart inside it,’ Shipman writes, and I can say the same about this poem.”