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      March 10, 2010Writer in Residence, Central StateDiana Goetsch

      I’m writing this from nowhere. Oklahoma
      if you care. It’s not south, not west, not really
      Midwest. Think of a hairless Chihuahua
      on the shoulder of Texas, make an X,
      I’m in the middle, in an apartment
      above the dumpsters on a parking lot
      across from a football stadium.
      The shriveled leaves of what passes
      for autumn scuttle across the blacktop.
      Prairie Striders stand under cars saying Hey
      fuck you to French pluperfects in the pines.
      I’ve renamed the birds. They don’t seem to mind.
      In Oklahoma when you say a word
      like pluperfect, somehow you’re certain
      no one in the state has used it that day.
      Sometimes the parking lot feels like a lake,
      a lake with light towers and cars on top of it.
      Sometimes I see an Indian burial ground
      under there. You don’t think of asphalt as earth,
      but if they paved the entire prairie—which
      seems to be the plan—it would still curve
      with the horizon and shine in the sun.
      And no matter where you are, if you let
      the world quiet down you’ll start to hear
      the most terrible things about yourself.
      But then, like a teenager, it’ll tire of cursing
      and deliver you into the silence of graves.
      You’ll look out on the world and see
      yourself looking out. Now I know
      when monks retreat to the charnel ground
      and stay there long enough, the demons
      tire of shouting. No battles, no spells: you wait
      for them to cry themselves to sleep.
      If everyone were healed and well
      and all neuroses gone, would there
      be anything left to write about?
      Maybe just weather and death.
      I’d like to die on a mountain in winter
      in New Hampshire, the one the old man
      climbed, having decided his natural time
      was done. How alive he must have been
      during that short series of lasts—last step,
      last look around, bend of the waist,
      head on the ground, the soundless closing
      of his lids. How easy to be in love
      with the earth, breathing the crystalline air
      as he shivered and yawned
      and let the night take him home.
      Back in New York City there’s a book
      of Freud high on a shelf that presided
      over far too much. The past, it kept
      insisting, the past. There was also a mouse,
      who came out whenever I was still
      and quiet for long enough. She’d sniff
      my foot, go to the floor-length mirror,
      then drag her long tail into the kitchen.
      At first I set a trap. Then I knew her
      to be the secret life of my apartment,
      witness to everything without comment,
      her visit my reward for keeping still,
      for praying in a closet as Jesus advised.
      Don’t worry, said a woman last winter.
      I can see you’re worried. She had the wrinkled
      eyes of an old Cherokee, and spoke of past
      lives without a trace of contrivance.
      The silence here on weekends is so total
      it holds me. Even when the stadium
      is full, I don’t hear the people, just the PA
      telling who tackled who—who in Oklahoma
      was born and raised and fed and coached
      to deliver a game-saving hit. I don’t
      know where I will be or what I will do
      next year, but five miles underground
      in the womb of the earth there is
      no money, no lack of money, no decisions
      about dinner or weekends, friends
      or enemies, no stacks of unanswered mail.
      I’m trying to live there, so I can live here.

      from #32 - Winter 2009

      Diana Goetsch

      “I’m basically a love poet. I’ve started to understand that after all these years. No matter the subject, I think my mission has something to do with redemption. And I just go for the hardest thing to redeem.”