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      June 17, 2020Young DykeAlison Hazle

      No one calls me that
      anymore. But that long Y,
      it licks the space. I long
      for that Y in my name.
      Am I still young?
      These other dykes
      are young, wet
      from their clamshell
      wombs. I am dry
      having smoked and smoked
      and not slept and been not
      well for quite a while.
      But I am a dyke,
      I think. This was my surname
      for years. I wore it
      like some fucking
      Birkenstocks. Art school dykes
      would run their palms
      along my unshaven legs
      and feed me pitted cherries.
      Still sometimes I ran
      from this title. I have worn
      sweet perfumes, let my nails
      grow, spit on Amy Lowell’s grave.
      From between my legs,
      Missie said I was no dyke.
      Why did I bring venison
      and not a bowl of hummus?
      So I asked her,
      don’t I look like one
      from this angle? I have rested
      my head on the laps
      of men, sure, but I am
      fuzzy and mad and mad
      about Hacker.
      If Eileen Myles had a cock,
      it would be sucked red
      by all the New York dykes.
      I am not above this.
      We, dykes, are a delicate
      species, only able
      to communicate
      through erasures
      of Sappho poems,
      the soft exchange
      of shirts, the moving
      of shame from one
      body to another.

      from #67 - Spring 2020

      Alison Hazle

      “As a survivor of art school, I often find myself turning to the odd and the absurd when writing a poem. This is, of course, when I am not trying in vain to write something new about grief. I am pursing a degree in English, currently living in Baltimore with my beloved python, Ted.”