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      May 12, 2025Hemat MalakAerodynamic Drag

      Why fly? Simple. I’m not happy unless there’s some room between me and the ground.
      —Richard Bach, A Gift of Wings
      When Anna, the mum with six kids, called me from the airport to say she was leaving, assuring me it’s true, most of me was horrified—her youngest was four! The other part of me was all awe and star struck and longing. I smelt pineapple—are there pineapples there—so fragrant I could taste it before my tongue, rivers of sweet juice running down my arms, sticky in the impossible sun, but me, who peels prawns with knife and fork, didn’t care. I walked along that beach, sand painting my rivers, painting my body with fuck it all. Seabirds screeched messages from home, but I don’t speak seabird. I adjusted my bikini—my bikini—and walked barefoot with my always-dressed feet, scratching up my pedicure like a wild thing. The rumble of a huge plane rattled the shells in my hand as it passed. The phone at my ear beeped in time with the washer announcing the end of the cycle.
       
      taking flight
      above
      the noise
       
       

      from #87 – Spring 2025

      Hemat Malak

      “I love everything about a haibun, especially the contrast between its long and short forms, and the ooh of the cuts between title and prose and haiku (so many spots for a poem to say, surprise!). I really enjoy the eccentricity of a haibun nattering on about something and then stopping, giving me a pensive look, and serving up a haiku.”