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      August 26, 2013Another Thing That Amazes MeSarah Pemberton Strong

      Is how, on the rush hour subway, everyone
      harbors beneath their dripping coats
      a set of genitals. No one can look
      anyone else in the eye, so obvious
      is our nakedness under the clothes.
      Though it’s only October,
      there’s a blizzard dumping sleet
      across Manhattan, and the streets are full
      of people anyway, some wearing nothing
      more than sweatshirts, their hunching shoulders
      caked with fallen slush. It’s amazing
      some people will stand
      outside for an hour in this weather
      just to see the de Kooning retrospective at the MOMA—
      myself, it turns out, included.
      Also that the same shade of paint
      can make some people happy but give others headaches.
      When I get home, I’m going to paint
      my living room orange
      against the six months of winter
      that’s just begun. The Platonic ideal
      of a raincoat is bright yellow,
      and though I can’t see one beyond
      all the crotches on the Lexington Avenue Local,
      it’s comforting to think there will be an appearance soon,
      little rite to remind us of the sun’s assured return.
      It amazes me that I still want God to be more
      than a perfect metaphor for loving,
      that I still want to fall to my knees
      for something other than this woman swaying above me,
      her fingers knotted to the subway strap,
      the folds of her labia just a couple inches from my mouth
      while our bodies fly through a tunnel under the city,
      and high above us, a deluge of gray crystal
      blots out the gold of trees all down Fifth Avenue.
      Amazing that the light of the sun makes us open
      our eyes in the morning. And that when
      there is no light, our eyes open anyway:
      searching for it, then for each other.

      from #38 - Winter 2012

      Sarah Pemberton Stong

      “This poem, ‘Another Thing That Amazes Me,’ was inspired by a trip to Manhattan in what turned out to be the worst weather I’ve ever been underdressed for. The experience, together with writing about it, invoked some of the qualities of a meditation retreat—periods of strong physical discomfort interspersed with delight and wonder at the ways we’re all connected. I read and write poetry for the same reason I maintain a spiritual practice: to experience that sense of connection to all of life. Still another thing that amazes me is that I have two books coming out this spring: one’s a novel, the other is my first poetry collection.”