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      March 5, 2025Claw MachineChad Frame

      More to the left, he says, then leans to watch
      the dangling claw from a better angle
      as I guide the stubby joystick, grease-slick
       
      from unwashed hands—just two coin-fed alley kids
      fishing for a way to pass the time. Behind the screen, 
      the glass-eyed, cheap stuffed animals, cotton-cored, 
       
      plead with us for escape. We tune out the rumble-crash
      of our parents’ Tuesday night league, the shouted fucks
      when they bowl poorly, and the shouted fucks
       
      when they bowl well, wafting Marlboro plumes braiding
      midair with the steam from vending machine coffee,
      generations of beer staining the ash-strewn carpet
       
      a thousand shades of brown. And his eyes, all blue
      and lit up like pinball bulbs, are watching intently
      as the claw drops for the rainbow bear, its clumsy seams
       
      misstitched and already unraveling.
      This could be any night in midsummer
      in middle-of-nowhere America
       
      in the mid-nineties—except it’s the one
      when I decide to tell him how pretty
      those eyes are, as I dangle the hard-won
       
      bear by one misshapen foot, an offering
      I am destined to find later in the men’s room sink, 
      ripped into pieces, scattered like pins, fuck you
       
      faggot Sharpied on its face. And this, I have learned, this 
      is how the heart operates—just when we think we’ve got 
      a grip on something, the claw seems rigged to let it go.
       

      from #86 – Winter 2024

      Chad Frame

      “As a poet, I’m obsessed with narrative and metaphor and narrative told through metaphor, and I often explore old hurts through this lens. When a friend read this poem, she told me she wished her son had been able to read it when he was young—that it would have helped him. This, more than anything, is why I write.”