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      December 17, 2009ElevatorAndrew Kozma

      Similarly, when the writer Leonid Plyushch was confined to a psychiatric hospital, and his wife asked what symptoms in her husband required treatment, the attending physician replied: “His views and convictions.”

      —J. M. Coetzee, Giving Offense

      They are taking you somewhere you don’t want to go.
      You don’t want to go
      Out the door, the splintered, leprous door, the door that holds you
      back in your old life, already old, because you cannot claim
      it’s yours any longer, it’s a stranger’s, and that stranger has your face.
      They are taking you down an elevator, floors passing like chills
      Passing like chills
      from a fever that never ends, these men in your government’s pay
      except now you have no government, you are governed
      only by the thought that, from this point on, nothing matters
      but what they will make you say, what they say you have said:
      You have said
      your views will be your convictions. You long to feel nothing.
      The cold floor under your bare feet, the hot skin of their hands
      tight around your biceps, you feel even the elevator doors
      in your imagination, your eyes running over them, a smell
      Over them, a smell
      of sweat, the oil left from countless fingerprints, a record
      no one denies. No one denies because those whose eyes are open
      are taking you where you don’t want to go. You close your eyes
      but still see everything clearly. You will meet a man
      You will meet a man
      in a small room and he will hold your name in his hand.
      He will place a picture on the desk before you. He will ask you
      to denounce this woman in a dress green as a new leaf
      braced by the morning light. You will not know her
      You will not know her
      but after sleeplessness, after starvation, after beatings
      that leave no mark, after standing for entire nights
      ankle-deep in freezing water, you will recognize kindness
      in her dark eyes and, crying with relief, say, “Yes.”
      With relief, say, “Yes.”

      from #31 - Summer 2009

      Andrew Kozma

      “Recently, my writing has been born of a mixture of sources, not necessarily having anything to do with each other, but coming together through chance. In a hotel I was mesmerized by the directions on how to escape the building in case of fire. These simple directions for safety and freedom jarred with my main focus at the moment: oppression and resistance to that oppression in Soviet Russia. And so this poem.”