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      December 10, 2015Holiday TaleDennis Trudell

      A woman has never told her husband
      nor anyone else about the love note
      she received thirty years ago. It was
      unsigned, and after guessing often,
      often about who in town sent it, she has
      long accepted that she’ll never know.
      The note was short, four sentences: “I
      love you deeply and expect I always will.
      You have a family and so I’ll keep my
      distance. Each 4th of July I’ll phone
      at 10 a.m. and hang up after one ring,
      to let you know it’s still true. If it’s
      busy, I’ll ring at 11 & so on.” This
      was typed, as was her name and address,
      postmarked locally. She and family
      were out of town a few times on that
      holiday over the years, but on the rest
      of them she’d waited for that single
      ring, and it came. They moved after a
      third child was born—the phone still
      rang the next 4th, making her realize
      how much she counted on that, wanting
      nothing more from him. Their children
      left home and had children of their
      own. Now she is fifty-six years old
      and woke on this 4th of July thinking
      about a man no doubt at least that old:
      she feels certain it’s a man. She may
      have walked past him again this week,
      greeted him or not. She isn’t positive
      the ring will occur; he could have died
      in the past year. Or be dying now.
      Yet at 10 a.m. she hears the sound
      and doesn’t bother to answer. Smiles
      at what she’s decided years ago is
      a gift. It will tingle faintly inside
      for the rest of the day. Tonight in bed
      she will lie awake beside her husband
      longer than usual. And will murmur
      as always, “Thank you” just once.

      from #49 - Fall 2015

      Dennis Trudell

      “I enter writing a potential poem not knowing what it’s about, much less where it’s going. I wait for a beginning line or lines, which usually come but may quickly seem inert. And maybe another false start, or more. Then what may feel opening a possibility I want to follow. Perhaps to an end, discovering en route what I want to say or show. This in longhand; I put it in a folder of first drafts. Later I move them into my computer, consider revisions—generally minor—and decide if I’ve got something I’d want my name behind.”