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      August 2, 2018Model Prison ModelTerrance Hayes

      Here in this small expertly crafted model
      you can see the layout of the prison I will erect:
      the 17,500 six-by-eight cells, the wards
      for dreamers reduced to beggars to my right,
      the wards for strangers who might be or become
      enemies to my left. It has taken years of research
      and perspiration to design and assemble
      this miniature, but with your support
      it should only take 12 to 18 months to build
      it to functioning size. You may note the words
      (Prison is for the unindoctrinated) painted
      on the tiny sign at the main gate are still wet.
      I finished them while waiting for you to arrive.
      They are the smell of civilization in the air.
      Let me direct your attentions to the barbed wire
      which thickens to a virtual cyclone of fangs
      above the prison. With a good fence
      to draw upon I was able to create
      a terrific somberness and then lie down
      and look through it at the prisoners
      and officers inside. I feel like this is a good time
      to tell you my father, mother and closest cousin
      have worked decades as correctional officers
      for the State. Nonetheless when I, a black poet,
      was asked to participate in the construction
      of this vision, I was surprised.
      During those first uninspired years I smoked
      so much I would have set myself on fire
      had I not been weeping most of the time.
      I am told the first time my uncle was an inmate,
      my father would find him cowering
      in his cell like a folded rag. Between jail
      he works Saturdays helping out a man
      at a flea market fruit stand, my uncle Junior.
      You will note the imposing guard towers
      at each corner of the prison. In the yard
      below them I will loose vicious, obedient dogs.
      Whether you consider dogs symbols
      of security or symbols of danger depends
      upon whether you’re inside or outside
      the fence. In our current positions
      around the model you and I represent
      the mulling picketers: the just and vengeful,
      the holy and grief-stricken citizens.
      Standing along the corridor
      leading to the preliminary de-dressing area,
      several savage and savaged widows will insult
      the new inmates. Even a slur is a form
      of welcome. I plan to have the vocalists
      among the prisoners sing for the old men
      who die there. Perhaps their song will soften
      the picketers. The prison of the picketer,
      let me remark, is a landscape of dry riverbeds,
      canyons and caves. During the uninspired hours
      I imagined that land as the color of brick
      set to flame. Everything gets tender in fire.
      I imagined the melancholy stone of the prison
      with a sort of geological desire. I imagined
      the rehabilitated before the parole board
      spilling brightly lit jive, alive with the indecipherable,
      indecipherably alive. Everything is excited
      by freedom. But I don’t know. I feel like no matter how
      large we build this prison, it isn’t going to save us.
      Please permit me to end my presentation for now.
      We might get so caught up imagining the future,
      we’ll never find our way. Come. Bend over and try
      moving forward while looking between your legs
      to get a sense of what it feels like trying to escape.

      from #31 - Summer 2009

      Terrance Hayes

      “I sort of think you’re always trying to become a poet. You’ve always got to write the next poem. In painting, you’re only a painter when you paint. The same is true of poetry, I think.”