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      October 14, 2015MummiesRichard Hedderman

      Milwaukee Public Museum

      When children ask if it’s frightening
      when they come alive, I tell them yes,
      of course it is, it’s absolutely terrifying,
      and believe me, you don’t want to be around
       
      when it happens, especially at night.
      When they ask if the mummies walk
      with their arms outstretched like mummies
      in the movies, I tell them no, it’s nothing
       
      like that. You see, I explain, the muscles
      of their arms have atrophied from thousands
      of years of disuse; they just can’t walk
      around the way mummies do in movies.
       
      In fact, I explain, their feet have been so
      lovingly and carefully bound by strips
      of flax linen, that it’s difficult for them
      to walk at all, which explains the halting gait,
       
      the fear that at any moment they will stumble
      and pitch forward, landing in a heap of rags.
      Can they talk? No, they can’t talk, not after
      all those years in tombs choked with the dust
       
      of centuries and the weight of eternity
      upon them. Can they see, they want to know.
      Not any more, I say, for long ago
      their eyes were replaced with onions or stones,
       
      stones as white as the sun. Finally, I explain,
      they long only to wander forth as they used to,
      and once again admire their reflections
      in the shimmering Nile of the gallery floor.

      from #49 - Fall 2015

      Richard Hedderman

      “I’m not formally trained as a scientist, but have spent two decades working in science and natural history museums, experiences that have inspired a good number of my poems. These places are extraordinarily rich environments for poets. Among my many museum adventures, I’ve created lightning, worked with bobcats and great horned owls and spent plenty of time around Egyptian mummies. Where I am now, at the Milwaukee Public Museum, we’re the only venue in the upper Midwest outside of Chicago exhibiting mummies. So a good deal of the programming I’m involved with focuses on them. My poem, ‘Mummies,’ is based on questions I’ve heard from students visiting the museum.”