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      August 1, 2013My Life with Jeff Goldblum …Loretta Obstfeld

      Writing, I think, is not apart from living.
      Writing is a kind of double living.
      —Catherine Drinker Bowen

      My husband is skeptical, maybe
      even annoyed. Admittedly, I’m having
      a hard time finding material, though

      Goldblum was always there, popping up
      behind me while I applied mascara,
      sitting on the corner of my son’s bed

      while I read One Fish, Two Fish, tip-toeing
      behind me down hallways
      like a retired assassin, all lurk

      no follow through. “What?” I’d say,
      and he’d slowly raise a thick brow
      hanging me on the lip of a pregnant

      pause. “Ex…expectation,” he’d stutter
      with excitement, “is the sustainer
      of the human pulse.” Then he’d lower himself

      into the bean bag chair, legs nimble
      as a mantis. “You know…” he’d say,
      then get sidetracked with a thread on the hem

      of his sweater vest, making me guess at what
      I know. He loves to stand in a line, slouch
      into crowds, been known to contemplate

      taking a cruise just to feel the warmth
      of a common destination, the patient
      community of the buffet. Then coolly

      turn and sacrifice the unsuspecting
      individual: A woman slowly chewing
      a piece of gum, her double chin

      like communism in Russia—
      the only thing he’ll know her for. Everything
      is a metaphor until someone gets hurt,

      then it’s still about the metaphor. He’s made me
      late for piano recitals. He never feeds the cat,
      or sorts the cans from the bottles. Doesn’t come

      when called. Like a boyfriend who’s too good
      looking, don’t expect any heavy lifting.
      Yesterday, I yelled for toilet paper.

      He was in the kitchen, the muffled SSH
      SHHHH of the Reddi Whip can firing
      into his mouth. I stared at the empty

      roll and wondered if I should spend more time
      with my children, pondered taking stock
      of the paper goods. But soon, I’m right back

      ingratiating Goldblum like a heaven
      for the dying, the glorious chance
      that he’ll lope into the living

      room and unveil the mysterious: A Carl Sagan
      of the lamp, the table, the daughter.
      Then to endure him in bed

      between husband and me, snuggling in
      —a man made of nothing
      but elbows, pulling the covers

      to warm himself, leaving me awake
      to consider the ceiling and all that
      straightforward plaster living the clean life.

      from #38 - Winter 2012