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      December 17, 2024Poem in Which I Pursued My Dream of Doing Stand-upDenise Duhamel

      When articles I read in 1980 demanded
      a woman comic make fun of her appearance,
      I went for it. I embraced my fat because John Waters
      thought fat was hilarious. In fact, I ate so much
      I doubled my size and wore small, unflattering
      T-shirts to highlight my stomach rolls. I wasn’t afraid
      to be raunchy or gross. I even farted
      on stage, becoming a caricature of everything ugly
      I dreaded inside me. I teased my frizzy hair to make it
      even frizzier. I took my cues from Joan Rivers
      and Phyllis Diller—On my honeymoon I put on
      a peekaboo blouse. My husband peeked and booed.
      I tried to repel men as much as possible
      with my awesome, non-conforming physicality.
      I didn’t care if I embarrassed my family.
      I didn’t care anymore about diets or dates.
      I ate whole cakes and didn’t even think
      about throwing them up. I went to late night
      open mics, wisecracking through the jeers and booing
      until audiences got used to me. I took their abuse,
      gave it right back. I wore down the drunks and soon
      they were laughing, even snorting sometimes.
      Though still controversial, I was on the cover
      of Paper and Ms. while The Golden Girls
      made its TV debut. By the time Roseanne Barr
      came around, I’d already taken all up the space
      in that roly-poly lane. I let her open for me anyway.
      At the end of each of my Comedy Central specials,
      I would invite her back into the spotlight
      and we’d bump our humongous bellies.
      Roseanne grew bored. She was a deep thinker,
      growing more profound with each gig.
      When Jane Austen came back in vogue
      with the movies Clueless and Sense and Sensibility,
      I started my own production company
      and hired so many women—even skinny
      pretty comics, ones I never imagined
      could break through. My wide ass opened wide
      doors for everyone. Finally I had boyfriends,
      handsome and loyal and attracted to my big fat
      bank account. But by the time Beyoncé reunited
      with Destiny’s Child for the Super Bowl halftime,
      my overeating and slovenly ways caught up
      with me. When I had bypass surgery and lost
      two hundred pounds, I knew my career in comedy
      was over. Fans called me a traitor and my latest
      boyfriend lost interest too—no more drunken parties
      and freezers stocked with Haagen-Dazs
      and Tombstone pizzas. I had to pivot so I straightened
      my hair and changed my name to give myself
      a second act. Roseanne had just won the Pulitzer
      for her verse. I put my efforts into becoming a minor poet.

      from In Which

      Denise Duhamel

      “I started writing the poems from In Which after reading Emily Carr’s brilliant essay ‘Another World Is Not Only Possible, She Is on Her Way on a Quiet Day I Can Hear Her Breathing.’ (American Poetry Review, Volume 51, No. 3, May/June 2022) Carr borrows her title from Arundhati Roy, political activist and novelist. In her delightfully unconventional essay, Carr talks about rekindling intuition in poems, offering ‘a welcome antidote to whatever personal hell you, too, are in.’ Carr’s invitation to be unapologetic, even impolite, gave me new ways of entering my narratives. Soon I was imagining I was someone else completely. Or sometimes I looked back at my earlier self, at someone I no longer recognized.”