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      May 30, 2025Lorraine A. PaddenReading the Room

      Wondering if he’ll (cleavage) listen to my (cleavage) poem all the way through (cleavage) to the       no.
       
      half-life
      the constant weight
      of a pendulum
       

      from #87 – Spring 2025

      Lorraine A. Padden

      “I began my haiku practice a few years ago and have recently begun to explore the haibun form. It’s fascinating to play with expansion—sometimes there’s a compelling story that can amplify a small poem’s depth and nuance. I also find that a good story told well might have the capacity to blossom even further with haiku/senryu woven into the mix. Integration and juxtaposition opportunities abound with these two forms, and I find it an engaging creative challenge to see where the combinations may lead.”

      May 29, 2025Margaret WinikatesTanager’s Cantrip

      Flicker flutter flap and float—
      song explodes from every throat.
      Shimmer shadow sparkle shine—
      dappled sunlight draws the line.
      Enter wander wonder will—
      magic lives within you still.
      Glimmer glisten gleam and glow—
      the sky’s the road; the song you know.
       
      Image: “Green Wood Birds” by Stephanie Trenchard. “Tanager’s Cantrip” was written by Margaret Winikates for Rattle’s Ekphrastic Challenge, April 2025, and selected as the Editor’s Choice.

      from Ekphrastic Challenge

      Comment from the series editor, Megan O'Reilly

      “I was moved by ‘Tanager’s Cantrip’ before I even looked up the word “cantrip,” but when I read the definition–‘a magical spell’—I had a moment of ‘ah, of course.’ With its alliterative, chanting rhymes, this poem is an incantation, a blaze of magic language to match the visual magic of Stephanie Trenchard’s painting. The light, color, and movement in the image all contribute to its air of enchantment, and yet the figure of the girl is motionless and beige—an artistic choice that seems to lend credence to the poet’s use of the word still in ‘magic lives within you still.’ The girl in the painting, one could speculate, struggles to connect with the beauty around her. The last line of ‘Tanager’s Cantrip,’ seems to remind her that, despite this perceived separateness, she is where she belongs.”

      May 28, 2025Joseph MillsGuttering

      He has been doing this for decades,
      climbing the ladder to clean out
      rotting leaves, twigs, whirligigs.
      In retrospect, perhaps he should
      have bought gutter guards long ago,
      but they couldn’t afford them at first,
      then there were always other expenses,
      schools, vacations, cars, medical bills,
      and who knew they would live here
      this long? It still seems day-to-day.
       
      Once, when the kids were young,
      he insisted that they and their friends
      weren’t responsible enough to clean
      the gutters, and each one had demanded
      the chance to climb and scoop muck.
      A fine Tom Sawyer trick on his part.
      In those years, he would find tennis balls,
      frisbees, army men, and once sunglasses
      from one of his daughter’s break-ups.
      Now it’s just the autumn debris of trees.
       
      For a while he suggested there should be
      a National Gutter Day when we clean out
      what’s collected over the year and is now
      clogging us, a day we get out trash bags,
      put on gloves, and clean the channels.
      The day wouldn’t necessarily involve
      climbing rungs, but could be walking
      with an old friend, having a coffee, or
      dropping off boxes at the Goodwill,
      or it might mean putting up new gutters
      in places they haven’t been, a relationship
      with a parent, friend, lover or neighbor,
      recognizing a need to separate and sluice
      away what might damage the foundations.
      Then he realized that day was New Year’s
      with its resolutions, and he did chores
      like this on holiday weekends anyway—
      Easter, Memorial Day, Labor Day—
      and who would want to swap out, say,
      Fourth of July for National Gutter Day?
      Plus he had vague memories of an uncle,
      a Navy vet, who would talk about the need
      to get drunk and “get his pipes cleaned out,”
      and he could see how National Gutter Day
      could become “End Up in the Gutter Day,”
      a bacchanalia, like St. Patrick’s or Mardi Gras,
      which is not what he meant, so he stopped
      making that suggestion. Now he surveys
      the neighboring yards and houses of friends
      long gone, of children grown, and remembers
      another joke, one about Jesus they loved to tell
      in Catholic school with its punchline of Christ
      saying to Peter, “I can see your house from here.”
      He feels he understands the joke more each year,
      the dark humor in the face of mortality, the pull
      of the banal even as a life gutters towards its end.
      It occurs to him there could be a good variation
      of the joke, something along the lines of “Peter,
      I can see you need to clean your gutters,” and
      then he realizes this aligns him with Christ, and
      he laughs at such arrogance and ridiculousness.
      He still has enough self-awareness to know
      it probably makes the neighbors nervous, seeing
      an old man angled in the air, sporadically laughing
      and appearing morose. He wonders how long
      he can continue to do this, but they can’t afford
      to pay a neighbor kid, even if they knew one.
      He still expects to hear her come out and yell
      in that angry voice that shows worry and love,
      “Jesus, get down!”(or “Jesus get down!”) but
      she stays inside now. In bed. Trying to cough
      the muck in her lungs clear. When he’s finished,
      he’ll make her tea and tell her how the people
      in the McCaffrey place have painted the kitchen.
       
      He thinks it’s just as well they never bought
      the guards. Some maintenance is good to do
      on his own, to remember old jokes, to plunge
      his hands into the year’s decay, and to prepare,
      as best as he can, for the storms that are to come.
       

      from #87 – Spring 2025

      Joseph Mills

      “Often I write poetry to take the experiences of my life and try to shape them into something with meaning. It is a way of making sense. For me, poetry isn’t ‘expression’ or ‘having something to say,’ it’s a method of discovery. Some poems arrive quickly, as gifts, and some take a long time. This one took a long time. Years. The earlier drafts were entirely different, and it wasn’t until I started to think about my life on the ladder, the decades of cleaning out gutters in this house we bought thirty years ago, that key elements of the poem came to me.”

      May 27, 2025Kat Lehmann[as much as I want] and Other Haiku

       
       
       
       
       
      as much as I want to be still these wild flowers
       
       
       
       
       
      second
          dose
      forsythia
          with
          a
          chance
              of
      rain
       
       
       
       
       
      moon my mind
      moon by moon my mind pines
      moon by moon my mind through the pines
      moon by moon my mind returns through the pines
       
       
       
       
       
      first sun
      the tears of not
      ending
       
       
       
       
       
      two years gone barefoot in the garden
       
       
       
       
       
      spring hike
      how close I came
      to deering
       
       
       
       
       
      after winter rains the river spoken here
       
       
       
       
       
      deep green
      the oxygen trail
      all adjectives
       
       
       
       
       
      among the views
      of blues and greens
      a tree cathedral
       
       
       
       
       

      from No Matter How It Ends a Bluebird's Song

      Kat Lehmann

      “I became ill experiencing sudden and severe side effects with nothing to do but hope for time’s restoration. Writing these haiku became a means of journaling, documentation, expression, and healing. The narrative utilizes a range of contemporary haiku sub-genres and structures, including single-line haiku (traditional in Japanese), concrete haiku, tercets, and what I call ‘beautiful monsters’ without name. Some of the poems use seemingly impossible language to convey a real experience. Haiku, as a minimalistic art form, invites the reader to be an active participant in the poem’s unfolding. For those new and not-new to contemporary haiku, I hope you enjoy the collaboration.”

      May 26, 2025Ginel OpleWhat Remains True after the Golden Anniversary

      This morning’s argument was because I insisted the house you grew up in had a porch: a lovely, off-white deck your father built after Korea, where on Friday evenings, I would show up with my bicycle and two bottles of Coke stolen from my auntie’s store. I could feel the pine step hard against my buttocks, the warm static of our Catholic arms brushing while we watched my bike twisted on the grass, whispering ways we could fit all that we had on its tiny frame and leave everything behind.
       
      young lovers
      moonlight
      in the summer grass
       
      You said most of it was true except you never had a porch. You came back from the bedroom holding a tin of old pictures, and I knew then I was about to be proven wrong. In a yellowed photograph taken on a morning before church, you were standing on the slab that led to the front door of your house surrounded by woods. Cardigan over a polka dot dress, you were smiling, the world around you turning to a different shade. I couldn’t believe you put up with me all these years.
       
      changing leaves
      we live our lives
      just the same
       

      from #87 – Spring 2025

      Ginel Ople

      “I love writing haibun because it feels like I’m enjoying a long walk then suddenly: a bench on top of a hill. Everything is slightly different.”

      May 25, 2025Stephen GibsonOn My Parents’ Wedding Photo This Memorial Day

      When I look at the both of you in your wedding photo,
      him, in his uniform, you, in wedding gown, with flowers,
      I find myself asking what you thought about your futures,
      which, of course, I know and you couldn’t possibly know;
      an ordinary black-and-white photo, taken in some studio,
      though it’s crazy of me to think anything ordinary in war,
      him, about to be deployed, who will come back and father
      me; you, who, when he’s again in some VA hospital, will go
      see him and will bring him brand new black slippers; though
      you know he won’t be getting up, you bring him new slippers,
      which you keep in a hall closet, next to a suitcase with letters,
      his V-mail and other papers, regarding his convulsive-electro
      shock treatments, and a death certificate citing “pneumonia,”
      and a plot number, which has in marble: “Tank Destroyer.”
       

      from Poets Respond

      Stephen Gibson

      “Every year at this time I look at that photograph. This article just caught my eye.”