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      April 11, 2025Jim BurrowsThe Elevator

      This house has an elevator.
      It descends down a concrete shaft
      To a bomb shelter that was built
      When Kennedy was president,
       
      When the idea of actual
      Apocalypse, so commonplace
      To people now, was still quite new
      (To most Americans, at least.
       
      Obviously it’s been around
      For a lot longer). Down the dark
      Shaft, then a concrete corridor
      That takes you to another one—
       
      The crossbar to this buried T—
      A slight left turn, and there you are.
      It’s not as fancy as it sounds,
      Not as elaborate as the word
       
      Corridor, nor as big as bomb,
      Might make it out to be. A box
      Built underground, basically,
      A concrete room with a bare bulb,
       
      The brittle flakes of what might be
      Asbestos on the walls, and curled
      Diamonds of old linoleum
      That scrape and slide beneath your feet,
       
      Loosened by time and the same rain
      That got the doorframes (there were two
      To start with; one has been removed):
      Built for all time, but now no more
       
      Than shapes to cut your finger on,
      Rectangles of oxidation
      With a dull smell, as of dried blood,
      An olfactory illusion.
       
      You’d need at least two, one would think,
      To close against the end of time,
      To keep the rage and rabble out.
      Not to mention radiation.
       
      Rudimentary wooden stairs,
      The original entry, climb
      Precariously up to light,
      Or at least to what would be light,
       
      If the steel-covered heavy door
      Would open. It would have to be
      Pulled and propped open from above,
      You couldn’t push it up yourself,
       
      Hands over head, from down below.
      So this was an ordinary
      Outdoor cellar, it would appear,
      Before the wife became too frail
       
      To navigate those wooden steps,
      Devoid of any rise or rail,
      Without some threat of a fate more
      Insidious than what she fled.
       
      Which is how the elevator,
      Concealed in a corner closet
      Of the carport like an old mop
      Or leftover buckets of paint,
       
      Ever came to be conjured up
      In the first place. It would have been
      The man’s idea: at first, a fear,
      A premonition. Then a plan,
       
      And at last a symbol of love.
      A little strange, a little too
      Extravagant, but no more so
      Than other gifts a man of his means
       
      Might give, and far more practical—
      A place to go and a way to get there
      When the storm comes, when all goes calm
      Suddenly, and the siren blows.
       

      from #87, Spring 2025

      Jim Burrows

      “I’m a real estate appraiser who’s been dabbling in poetry since I was introduced to Frost and Yeats in college over 30 years ago. My wife Staci and I live in Stillwater, Oklahoma. In 2020, I purchased a relatively large, well-built but very dated house in my home town of Cordell, Oklahoma. The poems sprang from that experience.”