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      December 22, 2009They Win the Upper HandCamille T. Dungy

      There exists, between the woman and the pads of her busy thumbs,
      a long running feud
      caused by her thumbs’ need to turn over her engine.
      The woman wants to settle. Get out of the car
      she tells herself, her thumbs included.
      Her thumbs are incredulous. They are rearing to go.
      Still, the pads of her busy thumbs are pressed into packing
      soil around the roots
      of newly potted plants.
      They are there for the setting of tables: salmon, salad, speculation
      about the congressional campaign. Who has true power,
      the thumbs want to ask, who does not command a machine?
      Imagine their relief, her thumbs’, hearing, so near the beds of their trim nails,
      the jingle of keys,
      and the closing of doors and, from somewhere close
      to the woman’s heart,
      the unlocked SAAB that proves this wasn’t what she wanted after all.
      The pads of her busy thumbs travel over all her fingers as they steer.
      It is the toll road’s brief intimacies they love.
      The tunnel’s concealed course.
      The bridge they will cross over one evening
      and never cross over again.

      from #31 - Summer 2009

      Camille T. Dungy

      “I grew up hearing poetry: James Weldon Johnson’s ‘Lift Every Voice and Sing,’ Langston Hughes’ ‘Hold Fast to Dreams,’ Shakespeare’s ‘Sonnet 29’—all of these and more I memorized in elementary school. My play cousins’ father is a Robinson Jeffers scholar. Poetry has always seemed a common, as in familiar, mode of speech.”