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      December 11, 2009To Stop a Dinner GuestJosiah Bancroft

      My friend, a yawn is a kabuki gasp, a conspicuous parody
      of breath, meant to entertain, yes, and refresh the body’s
      interest in carrying on. A yawn
      is savored, is hooked in the chest,
      then extracted; it is inedible,
      immense and stubborn.
      You cannot tell us again of the desert-scalded town,
      the pie crust earth, puckered all about, how you wandered in,
      a cartoon of a coyote, stalking a soft touch.
      Spare us the blow by blow report
      of your sniffing out the Christian bookstore
      and the beautiful-from-behind blonde.
      Skip the pastel Christ paraphernalia, skip the children
      with heads like watermelons, the weepy-eyed Jesus,
      pouring out his white robes,
      as if a Pacific wave was tackling him
      from behind, pass over the Bibles
      in their little biblical suitcases,
      shelved in order of colored leather, yellow down
      to indigo, and how you needed a ticket home.
      After hiking for weeks
      through canyons, slotted like baleen,
      painted and shingling, you hoped
      to talk bus fare out of the beautiful-
      behinded woman. We know her ass was smiling, know
      you were prepared to convert; the desert prepared you
      for conversion, showing you
      how to bear roads, endure homes
      and lawns dropped like toupees
      on that vast pate of sand, prepared you
      to take little, but to persist in taking, overwhelming
      an atom at a time. The desert showed you how to outlast
      all witness. If not interrupted, you
      would again describe that state of human
      bareness as earthly translucence.
      But you will not be stopped. She turns
      again. It is a Hitchcock turn. Acting out the scene, you pull
      her face across your face, stretching jowls, pursing lips to recall
      the residue of some horrible accident
      that ruined her looks, and now you say
      it was as if God had taken the same hand
      he used to mold stars, and drawn it
      from her brow down to her chin. Because there are children
      asleep upstairs and you are afraid of aging them, you mime
      the scream in memory of how you
      screamed then, with great and animal
      fluency. For a moment, it seems you too
      are yawning, and we are relieved.

      We will laugh as friends do: with gracious impatience.

      Tell us again. Tell us of how she turned her corrugated face

      and said, “I’m sorry. It’s ok. It happens to me all the time.”

      from #31 - Summer 2009

      Josiah Bancroft

      “I think most of us have experienced small, transformative moments that occupy our memories with disproportionate persistence. We try the patience of friends and family by repeating these stories until the telling becomes a performance, a call-and-response which elevates our experiential blip into a shared lore. Boredom (the groans and eye-rolls) is part of the performance; there seems to be a kind of reverence behind all the yawning.”