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      April 18, 2025Seth FriedmanTrenches

      mud-caked boots
      the veteran kneels
      in a newly planted field
       
      The leeks look so scrawny now, weak, vulnerable. But he knows they’ll survive—most of them. They’re a stalwart crop, tougher than they look. It seems like a long ways off … but the day will come, perhaps an overcast November morning, when he’ll bend to pull them from the dark soil, when he’ll stack them in crates, a day when midway through the harvest, it will start to drizzle; and, when it turns to rain, he will smile; and, in the pouring rain, he will open wide his arms, turn his face to the sky, laugh out loud. Later, in the open-air processing area, under the roof he built a few years ago, he’ll wash off the muck, the sand, the clods of dirt, large and small … He’ll wash crate after crate until the evening light starts to fade, until the whites of the leeks are so unsullied they almost seem lit from within.
       
      dirt-smeared face
      the battles
      that never end
       

      from #87 – Spring 2025

      Seth Friedman

      “My fascination with haiku quickly evolved into a similar passion for haibun. I could easily ramble on about the many reasons why I enjoy writing haibun—and then I could bask in the delicious irony of being a long-winded haiku poet. However, in lieu of that lengthy dissertation, I’ll just say that, for me, writing haibun honors the search for finding integration and resonance between the more ‘emotional/feeling’ and the more ‘thoughtful/analytical’ parts of me. I suppose, to an extent, all good art does this, but the hybrid nature of haibun seems especially well suited to the task.”